德国现代舞是如何“现代”的--2022年联合国教科文组织铭文案例

IF 0.1 3区 艺术学 0 DANCE DANCE CHRONICLE Pub Date : 2023-09-11 DOI:10.1080/01472526.2023.2248851
Filip Petkovski
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引用次数: 1

摘要

这项研究的重点是继承化的过程,以及它如何使舞蹈实践合法化,并为实践产生一套新的价值观。更具体地说,我探索了如何。。。
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How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription
This research focuses on the process of heritagization and how it functions to both legitimize a dance practice and generate a new set of values for the practice. More specifically, I explore how t...
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
22
期刊介绍: For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.
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