{"title":"电子艺术与媒体艺术经济","authors":"Christl Baur","doi":"10.1080/14702029.2020.1804706","DOIUrl":null,"url":null,"abstract":"ABSTRACT Gallerists and collectors have often looked sceptically at works in electronic media for quite different reasons: their novelty and highly experimental approach; their technical aspects; their virtual and ephemeral nature; and the difficulties of preservation and maintenance. In an effort to change this Ars Electronica (Linz, Austria) initiated the Gallery Spaces Program in 2017. Using the example of Ars Electronica, this article discusses the important role that media art holds as cultural heritage and argues that societies risk losing important artworks if the value system of the art world does not change. The art market itself is experiencing a digital transformation, and new possibilities and business models are being explored that place Ars Electronica and its legacy of fostering media arts in a very important position. Ars Electronica becomes a mediator between media art and the art market by opening its platform for exchanges between the different stakeholders.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"36 1","pages":"241 - 253"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14702029.2020.1804706","citationCount":"4","resultStr":"{\"title\":\"Ars Electronica and the media art economy\",\"authors\":\"Christl Baur\",\"doi\":\"10.1080/14702029.2020.1804706\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Gallerists and collectors have often looked sceptically at works in electronic media for quite different reasons: their novelty and highly experimental approach; their technical aspects; their virtual and ephemeral nature; and the difficulties of preservation and maintenance. In an effort to change this Ars Electronica (Linz, Austria) initiated the Gallery Spaces Program in 2017. Using the example of Ars Electronica, this article discusses the important role that media art holds as cultural heritage and argues that societies risk losing important artworks if the value system of the art world does not change. The art market itself is experiencing a digital transformation, and new possibilities and business models are being explored that place Ars Electronica and its legacy of fostering media arts in a very important position. Ars Electronica becomes a mediator between media art and the art market by opening its platform for exchanges between the different stakeholders.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"36 1\",\"pages\":\"241 - 253\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14702029.2020.1804706\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2020.1804706\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2020.1804706","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
ABSTRACT Gallerists and collectors have often looked sceptically at works in electronic media for quite different reasons: their novelty and highly experimental approach; their technical aspects; their virtual and ephemeral nature; and the difficulties of preservation and maintenance. In an effort to change this Ars Electronica (Linz, Austria) initiated the Gallery Spaces Program in 2017. Using the example of Ars Electronica, this article discusses the important role that media art holds as cultural heritage and argues that societies risk losing important artworks if the value system of the art world does not change. The art market itself is experiencing a digital transformation, and new possibilities and business models are being explored that place Ars Electronica and its legacy of fostering media arts in a very important position. Ars Electronica becomes a mediator between media art and the art market by opening its platform for exchanges between the different stakeholders.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research