马纳夫·拉蒂的《非洲文学语境中的后世俗想象》

IF 0.2 0 ASIAN STUDIES Sikh Formations-Religion Culture Theory Pub Date : 2022-08-02 DOI:10.1080/17448727.2022.2104028
Rebekah Cumpsty
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引用次数: 1

摘要

马纳夫·拉蒂(Manav Ratti)的《后世俗想象》(2013)将世俗主义和宗教话语置于国家和殖民语境中。他的文学批评方法将对民族主义的后殖民批评与世俗主义的文学登记联系起来,这对我自己在撒哈拉以南非洲小说中的工作产生了影响。我关注的是拉蒂对世俗的后殖民分析;他将后世俗概念化为一种富有想象力和休养生息的人文主义伦理,强调“尽管存在宗教和国家的分歧,但仍有强大的共同生活模式”(Ratti 2013, xviii);最后是尼日利亚作家Okey Ndibe如何将世俗、宗教和国家视为有缺陷、不完整的项目。
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Manav Ratti's The Postsecular Imagination in the context of African literatures
ABSTRACT Manav Ratti's The Postsecular Imagination (2013) situates secularism and religious discourse within national and colonial contexts. His literary critical approach, which brings postcolonial critiques of nationalism to bear on the literary registration of secularism, has informed my own work in sub-Saharan African fiction. I focus on Ratti's postcolonial analysis of the secular; his conceptualization of the postsecular as an imaginative and recuperative humanist ethic that foregrounds ‘powerful modes of living together in spite of the divides of religion and nation’ (Ratti 2013, xviii); and finally how the Nigerian writer, Okey Ndibe, engages with the secular, religion, and the nation as flawed, incomplete projects.
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CiteScore
0.80
自引率
25.00%
发文量
32
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