{"title":"加拿大第一民族文学的生存","authors":"C. Premat","doi":"10.22364/BJELLC.09.2019.06","DOIUrl":null,"url":null,"abstract":"The article examines the way the writers of the First Nations in Canada deal with the issue of survivance which implies a collective resilience. It is based upon a comparison between the first novel of Naomi Fontaine, Kuessipan (2011) and the poetry of Rita Mestokosho collected in How I see Life, Grandmother, Eshi Uapataman Nukum, Comment je perçois la vie, grand-mère (2011). Both writers belong to a tradition of littérature autochtone in Québec that has become more and more visible since the 1980s. If both writers share the paradigm of decoloniality, their aesthetics remains classical with the use of a minimalist style to express the beauty of the Innu way of life.","PeriodicalId":55896,"journal":{"name":"Baltic Journal of English Language Literature and Culture","volume":"41 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Survivance in the Literature of the First Nations in Canada\",\"authors\":\"C. Premat\",\"doi\":\"10.22364/BJELLC.09.2019.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines the way the writers of the First Nations in Canada deal with the issue of survivance which implies a collective resilience. It is based upon a comparison between the first novel of Naomi Fontaine, Kuessipan (2011) and the poetry of Rita Mestokosho collected in How I see Life, Grandmother, Eshi Uapataman Nukum, Comment je perçois la vie, grand-mère (2011). Both writers belong to a tradition of littérature autochtone in Québec that has become more and more visible since the 1980s. If both writers share the paradigm of decoloniality, their aesthetics remains classical with the use of a minimalist style to express the beauty of the Innu way of life.\",\"PeriodicalId\":55896,\"journal\":{\"name\":\"Baltic Journal of English Language Literature and Culture\",\"volume\":\"41 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Journal of English Language Literature and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22364/BJELLC.09.2019.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of English Language Literature and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22364/BJELLC.09.2019.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章考察了加拿大第一民族的作家处理生存问题的方式,这意味着集体的韧性。它是基于Naomi Fontaine的第一部小说,Kuessipan(2011)和Rita Mestokosho的诗歌的比较,收集在我如何看待生活,祖母,Eshi Uapataman Nukum,评论je perois la vie, grandm(2011)。这两位作家都属于自20世纪80年代以来越来越明显的曲文自传体传统。如果两位作家都有去殖民化的范例,那么他们的美学仍然是古典的,使用极简主义的风格来表达伊努人生活方式的美。
The Survivance in the Literature of the First Nations in Canada
The article examines the way the writers of the First Nations in Canada deal with the issue of survivance which implies a collective resilience. It is based upon a comparison between the first novel of Naomi Fontaine, Kuessipan (2011) and the poetry of Rita Mestokosho collected in How I see Life, Grandmother, Eshi Uapataman Nukum, Comment je perçois la vie, grand-mère (2011). Both writers belong to a tradition of littérature autochtone in Québec that has become more and more visible since the 1980s. If both writers share the paradigm of decoloniality, their aesthetics remains classical with the use of a minimalist style to express the beauty of the Innu way of life.