《无声的革命》

Q1 Social Sciences Cultural Politics Pub Date : 2019-11-01 DOI:10.1215/17432197-7725465
E. Meyerhoff
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引用次数: 1

摘要

美国大学历史上最具革命性的运动之一——1968 - 69年导致旧金山州立大学关闭5个月的第三世界学生罢课——在实验学院(EC)有一个重要的前身,该学院支持学生组织的课程,包括在旧金山州立大学开设的第一个黑人研究课程。欧共体为创造激进想象和研究的基础设施提供了灵感。欧共体挪用资源——包括空间、资金、教师、学分和技术——用于在师范大学内部、外部和外部学习。欧共体促进了具有革命性内容的课程,并在这些课程中培养了与以教育为基础的学习模式截然不同的学习模式。我提出了“学习模式”的概念,为当今大学领域的革命运动提供了指导。通过对档案资料的分析和对欧共体和黑人学生会组织者的采访,我发现欧共体组织者支持革命研究的潜力受到他们对教育的浪漫化的限制,这种浪漫化与对现代主义想象的订阅相结合。拒绝与自由资本主义现代性/殖民主义相联系的以教育为基础的学习模式,今天的组织者可以将他们的大学资源用于替代学习和创造世界的模式。
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“This Quiet Revolution”
One of the most revolutionary movements in the history of US universities—the Third World students’ strike that shut down San Francisco (SF) State College for five months in 1968–69—had a key precursor in the Experimental College (EC), which supported student-organized courses, including the first Black studies courses, at SF State. The EC offers inspiration for creating infrastructures of radical imagination and study. The EC appropriated resources—including spaces, money, teachers, credits, and technologies—for studying within, against, and beyond the normal university. The EC facilitated courses with revolutionary content, and they fostered modes of study in these courses that were radically alternative to the education-based mode of study. Contributing my concept of “modes of study,” I offer guidance for revolutionary movements on the terrain of universities today. Through analysis of archival materials and interviews with organizers of the EC and Black Student Union, I found that the EC organizers’ potentials for supporting revolutionary study were limited by their romanticizing of education, which was coconstituted with subscriptions to modernist imaginaries. Rejecting the education-based mode of study as bound up with liberal-capitalist modernity/coloniality, organizers today can appropriate their universities’ resources for alternative modes of study and world-making.
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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