{"title":"“这些画中个人的、过于大胆的品质是一个危险的例子。”Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)","authors":"Noemi Cinelli","doi":"10.29393/atat523-413ncqt10413","DOIUrl":null,"url":null,"abstract":": Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.","PeriodicalId":8621,"journal":{"name":"Atenea (Concepción)","volume":"32 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Le qualita tutte personali e troppo ardite di quelle pitture erano di esempio pericoloso”. Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)\",\"authors\":\"Noemi Cinelli\",\"doi\":\"10.29393/atat523-413ncqt10413\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.\",\"PeriodicalId\":8621,\"journal\":{\"name\":\"Atenea (Concepción)\",\"volume\":\"32 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Atenea (Concepción)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29393/atat523-413ncqt10413\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atenea (Concepción)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29393/atat523-413ncqt10413","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Le qualita tutte personali e troppo ardite di quelle pitture erano di esempio pericoloso”. Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)
: Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.