“这些画中个人的、过于大胆的品质是一个危险的例子。”Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)

Noemi Cinelli
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摘要

这篇文章提供了关于那不勒斯画家亚历山德罗·奇卡雷利的新资料,特别是关于他在意大利的阶段,这与他在那不勒斯和罗马之间的学术教育相吻合,并且他参加了1830年至1843年在这两个城市举办的展览。我们将分析那不勒斯卡波迪蒙特博物馆的作品《被遗弃的菲罗克忒忒斯》,我们将把它与圣地亚哥的另一个版本的MNBA面对面,我们将从他的理论和画布中渗透的经典灵感中展示其起源。
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“Le qualita tutte personali e troppo ardite di quelle pitture erano di esempio pericoloso”. Alessandro Ciccarelli en Italia y el Filoctetes abandonado (1830-1843)
: Th e article provides new data about the Neapolitan painter Alessandro Ciccarelli, in particular about his Italian phase, which coincided with his academic education between Naples and Rome, and with his participation in the exhibitions car-ried out in both cities between 1830 and 1843.We will analyze the work Abandoned Philoctetes of the Capodimonte Museum in Naples, we will bring it face to face with the other version of the MNBA in Santiago and we will demonstrate the origin from the classic inspiration that permeated his theories and his canvas.
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