后北欧黑色景观:芬兰流媒体本地化带来的竞争

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION Critical Studies in Television Pub Date : 2022-10-31 DOI:10.1177/17496020221135183

Sanna Wicks, Pietari Kääpä

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引用次数: 0

摘要

本文探讨了地域感和地方感在小国流媒体制作和推广中的运用。我们专注于VOD服务Elisa Viihde Viaplay制作的芬兰惊悚剧《Man in Room 301》(2019)背后的位置相关决策。虽然地方性是北欧黑色电影(一种以独特的“本地化”风格为特征的电影和电视类型)的重要工具，但本文探讨了芬兰流媒体产业如何朝着“后北欧黑色”框架发展，这是一个专注于强烈的地方感的方向，无论是在表现层面还是与制作相关的决策上。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Post-Nordic-Noir landscapes: Competition through localisation in Finnish streaming media

This article discusses the ways locality and sense of place are used in the production and promotion of streaming media from small nations. We concentrate on location-related decisions behind Man in Room 301 (2019), a Finnish thriller series produced by VOD service Elisa Viihde Viaplay. While locality acts as a significant tool for Nordic Noir, a genre of film and TV characterised by a distinct ‘localised’ style, this article explores how the Finnish streaming industry is progressing towards a ‘post-Nordic-noir’ framework, a direction that focuses on an intense sense of place, both on the level of representation and production-related decisions.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.