El refugio文化节,墨西哥普埃布拉历史中心的涂鸦和城市艺术

Gustavo Valencia Jiménez, Adriana Hernández Sánchez, Christian Enrique De La Torre Sánchez
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引用次数: 0

摘要

1987年,普埃布拉市被联合国教科文组织列入人类文化遗产名录;它的历史可以追溯到16世纪,保留了许多重要的建筑,比如巴洛克式和新古典主义外墙的教堂,以及被称为“新西班牙人”时期的建筑,当时它的一些历史街区建立了,包括巴里奥·埃尔·雷吉奥(Barrio el Refugio),以下简称BR,这里曾是石灰制造业的土著居民居住的地方。然而,从那时起,这一带就成了一个名声不好的地方,“贼窝”(雷赫特)。传统的宗教纪念活动“Fiesta Patronal de la Virgen del Refugio”是附近最重要的庆祝活动。在十七世纪的圣母教堂(La Virgen del Refugio)里,人们和墨西哥流浪乐队一起唱着“mañanitas”,这座教堂是在一位居民画了一幅圣母像的壁画后建造的。在这一节日期间,还会举办“难民文化节”(El Refugio Cultural Festival),有一百多位艺术家参加,据主办方估计,他们将创作约一千幅壁画。这发生在一个名为“Puebla Ciudad壁画”的项目开始的城市,作为“collectivo Tomate”的倡议,该项目寻求通过艺术与政府和私人公司合作,使社区再生。然而,这些政策更多的是以游客为导向,而不是造福社区。因此,涂鸦运动“节日文化避难”正成为墨西哥和普埃布拉的城市艺术家的交汇点,他们习惯于占用公共或私人空间,因为他们需要一个可以生活和表达自己的空间。十年来,这个节日已经实现了一千多件城市艺术作品,包括狂野风格的涂鸦、炸弹、贴纸、模板和壁画。所有这一切都是在艺术家们自己的赞助下完成的,因为来自全国各地的300名艺术家参加了每一届没有得到任何政府支持或其他形式赞助的节日。
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El refugio cultural festival, graffiti and urban art in the historic centre of puebla in Mexico
The city of Puebla was put on the UNESCO list of Cultural Heritage of Humanity in 1987; its history dates back to the sixteenth century allowing for the preservation of various important buildings, such as churches with baroque and neoclassical facades, buildings from the period known as Novo Hispanics, when some of its historic neighbourhoods were founded, including the Barrio el Refugio, hereinafter referred to as BR, where indigenous people employed in the lime manufacture used to live. Since those times, however, the neighbourhood has become a place with bad reputation, “a den of thieves” (Leicht). The traditional, religious commemoration, the “Fiesta Patronal de la Virgen del Refugio,” is the most important celebration in the neighbourhood. In the Church of La Virgen del Refugio, built in the seventeenth century after an inhabitant painted a mural with the image of the virgin, the “mañanitas” are sung with the Mariachi. During the patronal feast, the “El Refugio Cultural Festival” is held with more than a hundred artists taking part and creating about a thousand murals according to the organiser’s estimation. This happens in the city where a project “Puebla Ciudad Mural” was started, as an initiative of the “Colectivo Tomate,” which sought to regenerate the neighbourhood through art, in alliance with the government and private companies. However, these policies are more tourist oriented rather than benefit the neighbourhood. For this reason, the graffiti movement “Festival Cultural el Refugio” is becoming a meeting point for urban artists from Mexico and Puebla, accustomed to taking up public or private space, as they demand space where they can live and express themselves. For ten years the festival has realised more than one thousand pieces of urban art, including Wild Style graffiti, bombs, stickers, stencil, and murals. All this is done under the patronage of the artists themselves, as three hundred of them come from all over the country to take part in every edition of the festival that does not receive any government support or other form of sponsorship.
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