BEAR:积极倾听,艺术教学法和保护差异作为与多样性合作的一种方式

Q1 Arts and Humanities Journal of Visual Art Practice Pub Date : 2020-01-02 DOI:10.1080/14702029.2020.1724663
Anik Fournier
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引用次数: 0

摘要

BEAR(实验、艺术和研究基地)是2013年在阿纳姆ArtEZ艺术大学设立的美术学士学位课程。在荷兰,该项目在其他特点中脱颖而出,因为它致力于强调BEAR教学愿景的苏格拉底方法。在本文中,我提出苏格拉底方法的某些特征如何突出盲点并挑战艺术教育学,当代艺术领域以及更广泛的社会态度方面的正常化价值观。特别是,本文认为,积极倾听是我们在BEAR实践的苏格拉底方法的一个关键特征,它破坏了对个人创造力的持续强调,并提供了一种集体参与艺术实践和知识生产的关系结构。此外,我提出,积极倾听可以成为多样性有助于在学习环境中共享和产生的内容的场所,为不同的立场、传统和具体知识创造空间,并在特定环境中丰富艺术教育学课程。
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BEAR: active listening, art pedagogy and the safeguarding of difference as a way of working with diversity
ABSTRACT BEAR (Base for Experiment, Art and, Research) is a Bachelor of Fine Arts programme established in 2013 and housed in ArtEZ University of the Arts, Arnhem. In the Netherlands, the programme distinguishes itself, amongst other features, for its commitment to the Socratic method that underlines BEAR’s pedagogical vision. In this paper, I propose how certain characteristics of the Socratic method highlight blind spots and challenge normalised values in aspects of art pedagogy, the contemporary field of art, and by extension, broader societal attitudes. In particular, this paper argues that active listening, a key feature of the particular strand of Socratic method that we practise at BEAR, undermines the continued emphasis on individual creativity, and offers in its place a relational structure of collective participation in artistic practice and knowledge production. Moreover, I propose that active listening can be the site in which diversity contributes to what is being shared and produced in a learning context, creating a space for different positions, traditions and embodied knowledge to emerge and enrich the curricula of art pedagogy in specific contexts.
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来源期刊
Journal of Visual Art Practice
Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
自引率
0.00%
发文量
16
期刊介绍: The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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