从科学到舞蹈,在实验室和工作室之间

Ângelo Cid Neto
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摘要

本文是在科学研究的基础上对一个艺术过程的行动反思。ENSAIO是一个将实验室概念转化为身体方法的舞蹈项目,它提出了艺术和科学过程相结合的主流化的可能性。该项目联合了舞蹈和风景艺术艺术高等教育学校(ESD和FCSH)和Champalimaud基金会-未知中心的神经科学研究实验室Polavieja实验室。本文旨在揭示隐藏在这一神经科学研究中的创造性舞蹈和表演潜力。识别艺术和科学过程的交叉材料,可以设计创作过程的结构和舞蹈表演的结构。在翻译和定义同一概念基质的过程中找到了共同的平台,这使得工作室和实验室这两个实例的方法成为可能。它的一个主要特点是促进其代理人之间的交流:科学家和舞者。以及从这种分享和合作中获得的建模和吸收的可能性。舞蹈的方法和步骤反映并促进了这种分享,因此,身体的参与。在这里,身体是能够反映和触发这一过程的代理,身体是一篇不断被研究的文章。一个能够在各种媒介之间进行协调并扩大对自身的反思的主体。尽管科学和艺术是不可避免地专门化和分离的个体。因此,本文的重点是科学和艺术文化的交叉思考的例子,以及理论和实践机构在ENSAIO创作过程发展的实践研究中的表达。
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From Science to Dance Ensaio Between Lab and Studio
Abstract This text is a reflection in action of an artistic process based on a scientific research. ENSAIO is the choreographic project that resulted from the translation mechanisms of laboratory concepts to a bodily approach, where it proposes a possible mainstreaming of artistic and scientific processes combined. This project joined artistic higher education schools in dance and scenic arts (ESD and FCSH) and Polavieja lab, a neuroscience research lab in Champalimaud Foundation – Center for the Unknown. This text aims to reveal the creative choreographic and performative potentials hidden in this scientific research concerning neurosciences. Identifying cross materials to artistic and scientific processes, it was possible to design a structure of the creation process and the construction of a choreographic performance. The common platform has been found in the process of translation and the definition of the same concept substrate, which made possible the approach of the two instances: studio and laboratory. One of its key features is the promotion of the communication among its agents: scientists and dancers. And the possibility of modelling and absorption from what it comes from this sharing and collaboration. The methods and the choreographic procedures mirrored and promoted this sharing and, therefore, the involvement of the body. Where, the body is the agent able to reflect and trigger this process, a body as an essay that is constantly in research. A body able to coordinate between various media and to expand the reflection on itself. Although science and art are individual instances that inevitably specialise and segregated away. Therefore, this text focuses on examples of cross-thinking of both scientific and artistic cultures, and the articulation of the theoretical and practical bodies in a practice-as-research on the development of the ENSAIO creative process.
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