伊拉斯谟·达尔文,《植物园》,亚当·科米萨鲁克和艾莉森·杜尚恩主编

Q3 Arts and Humanities Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI:10.47761/biq.311
Alexander S. Gourlay
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引用次数: 0

摘要

布莱克显然读过查尔斯的祖父伊拉斯谟·达尔文的《植物园》的部分内容,当然也帮助说明了这一点。在《诗歌》、《塞尔之书》和其他早期作品中,可以找到布莱克最引人注目的语言和图像回应,但如果我们算上达尔文独特的自然科学与诗歌混合的微弱回声,他的影响甚至可以在后期的项目中发现,比如《耶路撒冷》。在布莱克独特的占有程序中,图像通常来自语言来源,反之亦然,就像在塞尔的扉页上,他借鉴了达尔文基于奥维德的关于风之花银莲花的明显性破坏的描述,西风之神。
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Erasmus Darwin, The Botanic Garden, ed. Adam Komisaruk and Allison Dushane
Blake evidently read parts of The Botanic Garden by Erasmus Darwin, grandfather of Charles, and certainly helped to illustrate it. The most striking verbal and pictorial responses in Blake are found in the Songs, The Book of Thel, and other early works, but if we count faint echoes of Darwin’s peculiar hybrid of natural science and poetry, his influence can be detected even in late projects, like Jerusalem. In Blake’s distinctive appropriative procedure, images were often derived from verbal sources and vice versa, as in the title page of Thel, in which he draws on Darwin’s Ovid-based account of the apparent sexual destruction of Anemone, the windflower, by Zephyr, the west wind.
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Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
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期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
期刊最新文献
Cover and table of contents A Conversation with Helen Bruder Redefining Apocalypse in Blake Studies William Blake’s Annotations to Milton’s<br> <i>Paradise Lost</i>: New Evidence for Attribution William Blake’s “Introduction” to <i>Songs of Innocence</i>: The Role of the Pipe
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