{"title":"伊拉斯谟·达尔文,《植物园》,亚当·科米萨鲁克和艾莉森·杜尚恩主编","authors":"Alexander S. Gourlay","doi":"10.47761/biq.311","DOIUrl":null,"url":null,"abstract":"Blake evidently read parts of The Botanic Garden by Erasmus Darwin, grandfather of Charles, and certainly helped to illustrate it. The most striking verbal and pictorial responses in Blake are found in the Songs, The Book of Thel, and other early works, but if we count faint echoes of Darwin’s peculiar hybrid of natural science and poetry, his influence can be detected even in late projects, like Jerusalem. In Blake’s distinctive appropriative procedure, images were often derived from verbal sources and vice versa, as in the title page of Thel, in which he draws on Darwin’s Ovid-based account of the apparent sexual destruction of Anemone, the windflower, by Zephyr, the west wind.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"9 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Erasmus Darwin, The Botanic Garden, ed. Adam Komisaruk and Allison Dushane\",\"authors\":\"Alexander S. Gourlay\",\"doi\":\"10.47761/biq.311\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Blake evidently read parts of The Botanic Garden by Erasmus Darwin, grandfather of Charles, and certainly helped to illustrate it. The most striking verbal and pictorial responses in Blake are found in the Songs, The Book of Thel, and other early works, but if we count faint echoes of Darwin’s peculiar hybrid of natural science and poetry, his influence can be detected even in late projects, like Jerusalem. In Blake’s distinctive appropriative procedure, images were often derived from verbal sources and vice versa, as in the title page of Thel, in which he draws on Darwin’s Ovid-based account of the apparent sexual destruction of Anemone, the windflower, by Zephyr, the west wind.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.311\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.311","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Erasmus Darwin, The Botanic Garden, ed. Adam Komisaruk and Allison Dushane
Blake evidently read parts of The Botanic Garden by Erasmus Darwin, grandfather of Charles, and certainly helped to illustrate it. The most striking verbal and pictorial responses in Blake are found in the Songs, The Book of Thel, and other early works, but if we count faint echoes of Darwin’s peculiar hybrid of natural science and poetry, his influence can be detected even in late projects, like Jerusalem. In Blake’s distinctive appropriative procedure, images were often derived from verbal sources and vice versa, as in the title page of Thel, in which he draws on Darwin’s Ovid-based account of the apparent sexual destruction of Anemone, the windflower, by Zephyr, the west wind.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.