迪斯尼做迪斯尼:为新一代重新发行,重新制作和重新讲述动画电影

IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2022-07-03 DOI:10.1080/01956051.2022.2094868
Rebecca Rowe
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引用次数: 0

摘要

从海伦娜·哈蒙德(Helena Hammond)对迪士尼遗产电影的讨论中可以看到,围绕迪士尼动画经典专门设计的迪士尼遗产电影有三种:经典动画电影“走出宝库”时的遗产再发行;传统翻拍,相当忠实地翻拍原始动画经典,故事和情节或多或少完整;另一种是利用经典动画来讲述一个全新的故事,通常是通过关注不同的视角或在经典动画之外继续讲述故事。这三种类型的传统电影以三种不同的方式向迪士尼公司及其目录致敬:重新发行使这些电影看起来像是值得囤积的宝藏;翻拍版使用新技术赋予老电影新的生命,使原著既新鲜又熟悉;复述的目的是为了展示迪士尼是如何成长为一家公司的,既尊重原著,又有意指出原著的缺陷,以便让迪士尼在今天看起来更好。这三种策略协同工作,将迪士尼的过去带到现在,以便在技术和文化变革中确保他们的未来。
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Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation
Abstract Building from Helena Hammond’s discussion of Disney’s legacy films, there are three kinds of Disney legacy films designed specifically around Disney’s animated classics: legacy re-releases when classic animated films are brought “out of the vault”; legacy remakes which fairly faithfully remake the original animated classics with the story and plot more or less intact; and legacy retellings which draw on animated classics to tell a completely new story, often by focusing on a different perspective or continuing the story beyond the animated classic. These three types of legacy film venerate the Disney company and their catalog in three distinct ways: the re-releases make these films seem like a treasure worth hoarding; the remakes use new technology to give the old films new life, making the original text seem both new and yet always familiar; and the retellings work to show how Disney has supposedly grown as a company, both venerating the original texts and intentionally pointing to their flaws in order to make Disney seem even better today. All three tactics work in concert to bring Disney’s past to the present in order to secure their future amidst technological and cultural changes.
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来源期刊
JOURNAL OF POPULAR FILM AND TELEVISION
JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊介绍: How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.
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