发展问题在世界音乐治疗教育和培训:多元化的观点,由卡伦D.古德曼(编)。

Teresa Lesiuk
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摘要

本书的章节反映了由于历史、社会、经济、代际变化和工作场所而产生的音乐治疗培训的当前和/或必要的变化。虽然这些章节的主题可能看起来完全不同,但事实并非如此。这个主题在以下几个方面引起了比较:1)质疑音乐治疗本身的本质;2)检查教育和培训的挑战;3)建议学生、教育工作者、临床医生、研究人员和音乐治疗领域的主管进行批判性思维(而不是重复或重新包装信息);4)尊重过去,展望未来;5)通过调查、访谈和/或文献评论等方式,提供该领域其他人的观点。第一部分题为“音乐治疗教育和培训的新框架和内容”,第二部分“音乐治疗教育和培训的在线格式”提供了两章,由于2019冠状病毒病在全球范围内的出现(2020年3月),加上技术资源的爆炸式增长以及对在线和混合学习的需求,这两章已经成为越来越紧迫的信息。第三部分的书,“包容性的音乐治疗教育和培训,”提出了两个重要的章节,以提醒教育工作者的紧迫问题。本书的第四部分,“音乐治疗教育,培训和发展的专业机会”,呈现四个独特不同的章节,但每个章节都侧重于任何学生或教育工作者应该考虑的机会。第五部分,“音乐治疗教育和培训中的持续问题和可能性”,考虑了该领域的两个发展主题。读者将享受并从这本书中获益,反思如何继续在音乐治疗教育和培训中前进。
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Developing Issues in World Music Therapy Education and Training: A Plurality of Views, by Karen D. Goodman (Ed).
The chapters in this current book reflect current and/or necessary changes in music therapy training that come about because of history, society, economy, generational shifts and the workplace. Although the subject matter in these chapters may appear disparate, it is not. The subject matter invites comparison in the following ways: 1) questions the nature of music therapy itself; 2) examines challenges to education and training; 3) suggests critical thinking (vs repetition or repackaging of information) for students, educators, clinicians, researchers and supervisors in the field of music therapy; 4) respects the past but looks to the future; 5) offers perspective from others in the field through such vehicles as surveys, interviews and/or  reviews of literature. Part I is titled ‘New Frameworks and Content for Music Therapy Education and Training’ Part II of the book, ‘Online Formats for Music Therapy Education and Training’ offers two chapters which have become increasingly urgent information due to the emergence of the COVID-19 epidemic throughout the world (March 2020), now in its third year, coupled with the explosion of technological resources and demand for online and hybrid learning. Part III of the book, ‘Inclusivity in Music Therapy Education and Training,’ presents two vital chapters to remind educators of pressing issues. Part IV of the book, ‘Professional Opportunities in Music Therapy Education, Training and Development,’ present four uniquely different chapters, yet each focuses on opportunities that any student or educator should consider. Part V, ‘Ongoing issues and Possibilities in Music Therapy Education and Training,’ considers two more developing topics in the field. Readers will enjoy and profit from this book, reflecting on how to continue to move on in music therapy education and training.  
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