菲利普·普尔曼和《精神探索》

IF 0.2 0 LITERATURE Childrens Literature Pub Date : 2022-02-08 DOI:10.3390/literature2010002
Geoff M. Boucher, Charlotte Devonport-Ralph
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引用次数: 1

摘要

Philip Pullman最初被视为“新无神论者”,这种两极分化的接受逐渐让位于对他的作品更为细致入微的学术定位,认为他的作品受到了非正统,甚至是“异端”基督教的启发。但在他的新系列中,普尔曼果断地回应了“新无神论者”和“非正统基督教”的解释,同时扩大了他的批判表现的范围,超越了基督教——实际上,超越了亚伯拉罕宗教。在未完成的新系列《尘之书》(the Book of Dust)的完整系列中,出现了一个由居住在多个宇宙的超自然生物组成的“秘密共同体”。这些都是尘埃的表现,物质本身的精神感知,它为神秘的愿景和萨满教信仰以及宗教正统提供了基础。拒绝后者而选择前者,尤其是第二本书《秘密联邦》,暗示了对精神追求的认可。为了促使人们接受这种解释,我们首先回顾对他的黑暗材料的批评,特别是与它的神学含义有关。在此之后,我们转向《尘土之书》中还原论立场的表现,特别是在《秘密联邦》中所呈现的作者,戈特弗里德·布兰德和西蒙·塔尔博特。然后,我们研究了这部作品中亚伯拉罕宗教的表现,对普尔曼想象中的宗教与基督教和伊斯兰教之间明显的相似之处感兴趣的不是,而是他对神秘主义的积极表现。最后,在总结之前,我们考察了他对萨满教和万物有灵论、灵魂信仰和赫尔墨斯学说的表述,以及他对琐罗亚斯德教的暗示。普尔曼是一个无神论者,因为他认为自己没有神,而不是启蒙运动后那种拒绝超自然/精神的人。他想象的宇宙颂扬精神追求和本体论的多样性,反对一切形式的思辨封闭。
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Philip Pullman and Spiritual Quest
The polarized initial reception of Philip Pullman as a “new atheist” has gradually yielded to more nuanced scholarly positionings of his work as inspired by a heterodox, even “heretical,” Christianity. But in his new series, Pullman responds decisively to both “new atheist” and “heterodox Christian” interpretations, while widening the scope of his critical representations beyond Christian—indeed, beyond Abrahamic—religion. What emerges in the completed books of the incomplete new series, The Book of Dust, is a “secret commonwealth” of supernatural beings inhabiting multiple universes. These are all manifestations of Dust, the spiritual sentience of matter itself, which provides the basis for mystical visions and shamanistic beliefs, as well as religious orthodoxies. Rejecting the latter for the former, the second book in particular, The Secret Commonwealth, suggests an endorsement of spiritual quest. To motivate acceptance of this interpretation, we begin by reviewing the critical reception of His Dark Materials, especially in relation to its theological implications. After that, we turn to the representation of reductionist positions in The Book of Dust, especially the authors presented in The Secret Commonwealth, Gottfried Brande and Simon Talbot. Then, we investigate the representation of the Abrahamic religions in that work, intrigued less by the obvious parallels between Pullman’s imaginary religions and Christianity and Islam, than by his positive representation of mysticism. Finally, we examine his representations of shamanism and animism, soul belief and hermetic doctrines, and his allusions to Zoroastrianism, before summing up. Pullman is an a-theist in the sense of being without a god, not in the post-Enlightenment sense of a rejection of the supernatural/spiritual. His imaginary universe celebrates spiritual quest and ontological multiplicity, against all forms of speculative closure.
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来源期刊
Childrens Literature
Childrens Literature LITERATURE-
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