诗歌文本翻译的感性与渐进评价范式

B. Zhanturina, S. Kolesnikova
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引用次数: 0

摘要

本文探讨了英语诗歌文本翻译中文本范式、感知范式和渐评范式的语义变异。研究材料包括美国诗人艾米莉·e·狄金森的诗《一瓣——花瓣——和一根刺》,以及t·斯塔莫娃、l·瓦古丽娜、A·普斯托加罗夫对这首诗进行的三种俄文翻译。本文从认知主体、感知形式、指称与自指称、模态渐评框架等相关标准出发,研究了源语及其译文变体中的感性叙事计划和感觉生成。文本作为语言上层的整体力量,在诗歌的修辞学框架内表现为文本建构的结构、内容和形式语言因素的复杂性。诗歌文本认知要素语言重构的关键方法是将认知主体描述为感知主体和言语主体。它的地位是在感性和渐进评价范式中确定的。在语际交际中,语篇范式的形成也发生了重大变化,在目的语篇变体中出现偏差,并导致对源语篇意义的多重解释。
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Perceptual and Gradual-Evaluative Paradigms of the Translated Poetic Text
The article deals with semantic variation in textual, perceptual and gradual-evaluative paradigms in translation of English poetic texts into Russian. The research material is comprised of the poem A sepal – petal – and a thorn written by an American poet Emily E. Dickinson, and three variants of its translation into Russian carried out by T. Stamova, L. Vagurina, A. Pustogarov. The perceptual narrative plan and sense generation in the source text and its translated target textual variants have been studied considering such relevant criteria as cognitive subject, forms of perception, reference and autoreference, and modal gradual-evaluative frame. The integrative power of a text as a unit of upper layer of the language is noted to be manifested in the complex of compositional, content, and formal linguistic factors of text-building within the rhetoric frame of the poem. The key method of linguistic reconstruction of poetic text cognitive element has been applied to describe the cognitive agent as the subject of perception and subject of speech. Its position is determined within perceptual and gradual-evaluative paradigms. The formation of textual paradigms has also been shown to vary crucially in inter-language communication, to deviate in the target textual variants, and cause multiple interpretations of the source-text meaning.
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
87
审稿时长
6 weeks
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