明信片图案与垃圾景观:旅游业与垃圾之间的不光彩关系(重新)如何塑造富国岛的面貌

Heide Kerber
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引用次数: 0

摘要

富国岛以其阳光、沙滩和海洋而闻名,但旅游业却在与可见的塑料污染作斗争。五颜六色的塑料垃圾扰乱了游客对原始热带天堂的想象。为了应对形象丧失的威胁,当地政府和旅游业在物质上和象征上都创造了“干净”的地方,以满足游客所寻求的风景。根据我的人文地理学背景,我将这种对有吸引力的环境特征的制造、维护和操纵作为场所制造实践。然而,要创造一个吸引人的环境,就必须找到储存大量废物的地方。我把这些地方理解为“幕后的地方”,指的是戈夫曼对前台和后台设置的剧院比喻。这篇论文阐明了垃圾旅游的纠缠如何促进了前台和后台的创造,最终导致了该岛社会空间碎片化的加剧。
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Postcard Motifs and Littered Landscapes: How the Inglorious Relationship Between Tourism and Waste (Re)Shapes Phu Quoc Island’s Appearance
Phu Quoc Island is famous for its sun, sand, and sea, but tourism struggles with visible plastic pollution. The colorful plastic waste disrupts tourists’ imaginaries of a pristine, tropical paradise. To counter the threat of image loss, local authorities and the tourism industry create both materially and symbolically ‘clean’ places that fulfil the scenery tourists seek. Drawing on my human geography background, I frame this making, maintaining, and manipulation of attractive environmental features as place-making practices. Yet, the creation of an appealing environment makes it necessary to find places to store the immense amounts of waste. I understand these places as ‘places behind the scene,’ referring to Goffman’s theatre metaphor of front- and backstage settings. The paper illuminates how waste-tourism entanglements foster the creation of front- and backstage places, which ultimately lead to an increasing socio-spatial fragmentation of the island.
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