{"title":"卡利马契传统与缪斯对谷神星的赞美诗。5.341满足。-661)","authors":"C. Sampson","doi":"10.1353/APA.2012.0002","DOIUrl":null,"url":null,"abstract":"This paper supplements the work of Hinds 1987 by arguing thatthe Sicilian setting for the abduction of Proserpina inMetamorphoses5 marks Ovid’s engagement with Callimachean style and poetic tradition, and that the influence of Hellenistic works (especially the Aetia) on this passage is richer and more complex than has been acknowledged. I aim to show in particular how Ovid manipulates the poetic and intellectual background on which he draws, to which end I take recourse to a new Ptolemaic-era papyrus, as well as a reanalysis of the hymn’s structural and thematic cohesion.","PeriodicalId":46223,"journal":{"name":"Transactions of the American Philological Association","volume":"192 1","pages":"103 - 83"},"PeriodicalIF":0.7000,"publicationDate":"2012-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Callimachean Tradition and the Muse’s Hymn to Ceres (Ov. Met. 5.341–661)\",\"authors\":\"C. Sampson\",\"doi\":\"10.1353/APA.2012.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper supplements the work of Hinds 1987 by arguing thatthe Sicilian setting for the abduction of Proserpina inMetamorphoses5 marks Ovid’s engagement with Callimachean style and poetic tradition, and that the influence of Hellenistic works (especially the Aetia) on this passage is richer and more complex than has been acknowledged. I aim to show in particular how Ovid manipulates the poetic and intellectual background on which he draws, to which end I take recourse to a new Ptolemaic-era papyrus, as well as a reanalysis of the hymn’s structural and thematic cohesion.\",\"PeriodicalId\":46223,\"journal\":{\"name\":\"Transactions of the American Philological Association\",\"volume\":\"192 1\",\"pages\":\"103 - 83\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2012-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transactions of the American Philological Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/APA.2012.0002\",\"RegionNum\":1,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transactions of the American Philological Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/APA.2012.0002","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Callimachean Tradition and the Muse’s Hymn to Ceres (Ov. Met. 5.341–661)
This paper supplements the work of Hinds 1987 by arguing thatthe Sicilian setting for the abduction of Proserpina inMetamorphoses5 marks Ovid’s engagement with Callimachean style and poetic tradition, and that the influence of Hellenistic works (especially the Aetia) on this passage is richer and more complex than has been acknowledged. I aim to show in particular how Ovid manipulates the poetic and intellectual background on which he draws, to which end I take recourse to a new Ptolemaic-era papyrus, as well as a reanalysis of the hymn’s structural and thematic cohesion.
期刊介绍:
Transactions of the APA (TAPA) is the official research publication of the American Philological Association. TAPA reflects the wide range and high quality of research currently undertaken by classicists. Highlights of every issue include: The Presidential Address from the previous year"s conference and Paragraphoi a reflection on the material and response to issues raised in the issue.