{"title":"哈萨克斯坦的艺术与抗议","authors":"Diana T. Kudaibergenova","doi":"10.1525/curh.2022.121.837.271","DOIUrl":null,"url":null,"abstract":"Recent events in Kazakhstan show that political art has the potential to be a potent form of protest in some of the most authoritarian states in contemporary Central Asia. After the collapse of the Soviet Union, artists in Kazakhstan and elsewhere in the region began turning away from the canon of Socialist Realist art, with its sole aim of serving the regime and depicting its visions of the future. New forms of contemporary art emerged, drawing sharp contrasts with official art in form, content, and culture, as more artists insisted on freedom from state patronage and control. In the political upheaval following the resignation of long-ruling President Nursultan Nazarbayev, artists have inspired protests with pointed critiques.","PeriodicalId":45614,"journal":{"name":"Current History","volume":"31 1","pages":""},"PeriodicalIF":2.4000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Art and Protest in Kazakhstan\",\"authors\":\"Diana T. Kudaibergenova\",\"doi\":\"10.1525/curh.2022.121.837.271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recent events in Kazakhstan show that political art has the potential to be a potent form of protest in some of the most authoritarian states in contemporary Central Asia. After the collapse of the Soviet Union, artists in Kazakhstan and elsewhere in the region began turning away from the canon of Socialist Realist art, with its sole aim of serving the regime and depicting its visions of the future. New forms of contemporary art emerged, drawing sharp contrasts with official art in form, content, and culture, as more artists insisted on freedom from state patronage and control. In the political upheaval following the resignation of long-ruling President Nursultan Nazarbayev, artists have inspired protests with pointed critiques.\",\"PeriodicalId\":45614,\"journal\":{\"name\":\"Current History\",\"volume\":\"31 1\",\"pages\":\"\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current History\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1525/curh.2022.121.837.271\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"INTERNATIONAL RELATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1525/curh.2022.121.837.271","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"INTERNATIONAL RELATIONS","Score":null,"Total":0}
Recent events in Kazakhstan show that political art has the potential to be a potent form of protest in some of the most authoritarian states in contemporary Central Asia. After the collapse of the Soviet Union, artists in Kazakhstan and elsewhere in the region began turning away from the canon of Socialist Realist art, with its sole aim of serving the regime and depicting its visions of the future. New forms of contemporary art emerged, drawing sharp contrasts with official art in form, content, and culture, as more artists insisted on freedom from state patronage and control. In the political upheaval following the resignation of long-ruling President Nursultan Nazarbayev, artists have inspired protests with pointed critiques.
期刊介绍:
Current History enjoys a unique place among America"s most distinguished periodicals.The oldest US publication devoted exclusively to world affairs, Current History was founded by The New York Times in 1914 to provide detailed coverage of what was then known as the Great War. As a privately owned publication, Current History has continued a long tradition of groundbreaking coverage, providing a forum for leading scholars and specialists to analyze events and trends in every region of a rapidly changing world.