{"title":"管乐器的形成峰过滤物理模型","authors":"A. Nackaerts, B. Moor, R. Lauwereins","doi":"10.1109/TSA.2002.807351","DOIUrl":null,"url":null,"abstract":"We report on our research concerning the calibration of physical models for sound synthesis. We combine waveguide physical modeling synthesis with formant filtering, by dividing the nonlinear description of the reed mechanism into a nonlinear part and an input-dependent linear filter. We elaborate on the calibration of the model and assess its performance by comparing it to a single-reed, cylindrical bore instrument, the clarinet.","PeriodicalId":13155,"journal":{"name":"IEEE Trans. Speech Audio Process.","volume":"12 1","pages":"36-44"},"PeriodicalIF":0.0000,"publicationDate":"2003-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"A formant filtered physical model for wind instruments\",\"authors\":\"A. Nackaerts, B. Moor, R. Lauwereins\",\"doi\":\"10.1109/TSA.2002.807351\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"We report on our research concerning the calibration of physical models for sound synthesis. We combine waveguide physical modeling synthesis with formant filtering, by dividing the nonlinear description of the reed mechanism into a nonlinear part and an input-dependent linear filter. We elaborate on the calibration of the model and assess its performance by comparing it to a single-reed, cylindrical bore instrument, the clarinet.\",\"PeriodicalId\":13155,\"journal\":{\"name\":\"IEEE Trans. Speech Audio Process.\",\"volume\":\"12 1\",\"pages\":\"36-44\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2003-02-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IEEE Trans. Speech Audio Process.\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/TSA.2002.807351\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IEEE Trans. Speech Audio Process.","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/TSA.2002.807351","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A formant filtered physical model for wind instruments
We report on our research concerning the calibration of physical models for sound synthesis. We combine waveguide physical modeling synthesis with formant filtering, by dividing the nonlinear description of the reed mechanism into a nonlinear part and an input-dependent linear filter. We elaborate on the calibration of the model and assess its performance by comparing it to a single-reed, cylindrical bore instrument, the clarinet.