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引用次数: 0

摘要

摘要:贵族和外交家贝纳迪诺·德·雷博雷多(Bernardino de Rebolledo)经常出入印刷厂,为他的诗歌提供渠道,并在书籍中表达其内容。以一种更独特的方式,它回顾了形成完整作品的过程,这在西班牙是一个巨大的创新。对于一个业余作家简介,地平线的印刷和市场没有显示经济需求压力,出版社及其规律的各种备选方法,练习口语和情妇的线之间的距离及其物化在诗歌的书,妨碍发展和一个跳水板autorial诗人的概念和良心。ABSTRACT: Aristocrat and外交官Bernardino Rebolledo的resorted印刷出版社广泛其verses and materially shape them in books。More idiosyncratically,实际上novelty in Spain at the time,我还reviewed the process that lead to the出版物作complete works。As an业余writer,其use of the印刷出版社以及他entering the book market是remarkably free of economic reasons。雷博雷多作品的出版说明了诗歌的口头实践和诗歌在书中的体现之间的距离,这一过程既是作者意识和诗人思想发展的障碍,也是一个springboard。
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Rebolledo, Un Poeta Ante La Imprenta = Rebolledo, A Poet at the Printing Press
RESUMEN:El aristócrata y diplomático Bernardino de Rebolledo frecuentó regularmente la imprenta para dar cauce a sus versos y materialidad a su articulación en libros. De manera más singular, revisa el proceso para conformar unas obras completas, caso de gran novedad en España. Para un escritor de perfil amateur, el horizonte de la imprenta y de un mercado sin la presión de las necesidades económicas muestra, con las distintas opciones editoriales y su regularidad, la distancia entre la práctica oral y cortesana del verso y su materialización en libro de poesía, un obstáculo y un trampolín para el desarrollo de la noción de poeta y la conciencia autorial.ABSTRACT:Aristocrat and diplomat Bernardino de Rebolledo regularly resorted to the printing press to disseminate his verses and materially shape them in books. More idiosyncratically, indeed a novelty in Spain at the time, he also reviewed the process that lead to the publication of his complete works. As an amateur writer, his use of the printing press and his entering the book market were remarkably free of economic reasons. The publication of Rebolledo's works illustrates the distance between the oral, courtly practice of poetry and its materialization in a book, a process that stands both as an obstacle and a springboard in the development of authorial conscience and of the idea of poet.
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