{"title":"布莱克与音乐,2020年","authors":"Jason Whittaker","doi":"10.47761/biq.284","DOIUrl":null,"url":null,"abstract":"While 2019 had been an incredibly productive year for settings of Blake to music and original pieces inspired by his poetry, my initial assumption was that, with all the difficulties caused by COVID, 2020 would be a much leaner year musically. Somewhat surprisingly, the past twelve months were incredibly rich in terms of musical adaptations, not only in the number of new releases, which surpassed 2019, but also because several took the form of whole albums dedicated to Blake’s work. It is clear that some releases—those requiring full orchestras, for example—were the products of months of preparation prior to the pandemic, and thus it may be that 2021 is the point at which we see an interruption in the flow of new recordings. In other instances, it is evident that artists used the time during lockdown to make recordings that were released via streaming, and the trend toward this means of distribution was only accelerated during 2020.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"99 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blake and Music, 2020\",\"authors\":\"Jason Whittaker\",\"doi\":\"10.47761/biq.284\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While 2019 had been an incredibly productive year for settings of Blake to music and original pieces inspired by his poetry, my initial assumption was that, with all the difficulties caused by COVID, 2020 would be a much leaner year musically. Somewhat surprisingly, the past twelve months were incredibly rich in terms of musical adaptations, not only in the number of new releases, which surpassed 2019, but also because several took the form of whole albums dedicated to Blake’s work. It is clear that some releases—those requiring full orchestras, for example—were the products of months of preparation prior to the pandemic, and thus it may be that 2021 is the point at which we see an interruption in the flow of new recordings. In other instances, it is evident that artists used the time during lockdown to make recordings that were released via streaming, and the trend toward this means of distribution was only accelerated during 2020.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"99 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.284\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.284","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
While 2019 had been an incredibly productive year for settings of Blake to music and original pieces inspired by his poetry, my initial assumption was that, with all the difficulties caused by COVID, 2020 would be a much leaner year musically. Somewhat surprisingly, the past twelve months were incredibly rich in terms of musical adaptations, not only in the number of new releases, which surpassed 2019, but also because several took the form of whole albums dedicated to Blake’s work. It is clear that some releases—those requiring full orchestras, for example—were the products of months of preparation prior to the pandemic, and thus it may be that 2021 is the point at which we see an interruption in the flow of new recordings. In other instances, it is evident that artists used the time during lockdown to make recordings that were released via streaming, and the trend toward this means of distribution was only accelerated during 2020.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.