{"title":"跨国观众,电影作为警察的对象:意大利西部片和香港武侠片,满洲西部片和韩国武侠片","authors":"Youngjae Yi","doi":"10.21720/complit90.07","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"38 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transnational Audiences, Cinema as an Object of Policing: Spaghetti Western and Hong Kong Martial Arts Film, Manchurian Western and Korean Swordplay Film\",\"authors\":\"Youngjae Yi\",\"doi\":\"10.21720/complit90.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":45160,\"journal\":{\"name\":\"COMPARATIVE LITERATURE\",\"volume\":\"38 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COMPARATIVE LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21720/complit90.07\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMPARATIVE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21720/complit90.07","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Transnational Audiences, Cinema as an Object of Policing: Spaghetti Western and Hong Kong Martial Arts Film, Manchurian Western and Korean Swordplay Film
期刊介绍:
The oldest journal in its field in the United States, Comparative Literature explores issues in literary history and theory. Drawing on a variety of theoretical and critical approaches, the journal represents a wide-ranging look at the intersections of national literatures, global literary trends, and theoretical discourse. Continually evolving since its inception in 1949, the journal remains a source for cutting-edge scholarship and prides itself on presenting the work of talented young scholars breaking new ground in the field.