{"title":"残疾和残疾不一样","authors":"T. Fortoul","doi":"10.22201/fm.24484865e.2023.66.3.07","DOIUrl":null,"url":null,"abstract":"They had physical deformations and were called phenomena or monsters and were often exhibited as shows in tents or circuses. The life, work and struggles of this artist with a disability, invites us to reflect and formulate commitments to understand disabilities: physical, visual and auditory, intellectual and visceral that present 15% of the world population and generate empathy to be more inclusive with them.","PeriodicalId":21295,"journal":{"name":"Revista de la Facultad de Medicina","volume":"23 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Incapacidad no es lo mismo que discapacidad\",\"authors\":\"T. Fortoul\",\"doi\":\"10.22201/fm.24484865e.2023.66.3.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"They had physical deformations and were called phenomena or monsters and were often exhibited as shows in tents or circuses. The life, work and struggles of this artist with a disability, invites us to reflect and formulate commitments to understand disabilities: physical, visual and auditory, intellectual and visceral that present 15% of the world population and generate empathy to be more inclusive with them.\",\"PeriodicalId\":21295,\"journal\":{\"name\":\"Revista de la Facultad de Medicina\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de la Facultad de Medicina\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22201/fm.24484865e.2023.66.3.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de la Facultad de Medicina","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22201/fm.24484865e.2023.66.3.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
They had physical deformations and were called phenomena or monsters and were often exhibited as shows in tents or circuses. The life, work and struggles of this artist with a disability, invites us to reflect and formulate commitments to understand disabilities: physical, visual and auditory, intellectual and visceral that present 15% of the world population and generate empathy to be more inclusive with them.