在文字和椅子:在美国戏剧设计和制作的可持续性,公平和循环的意义

Q2 Arts and Humanities Theatre and Performance Design Pub Date : 2021-10-02 DOI:10.1080/23322551.2021.1996106
Sandra Goldmark, Katharine Purdum
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引用次数: 0

摘要

戏剧设计师知道,他们放在舞台上的物品除了可以在文本中阅读之外,还可以传达思想,并有助于共同创造一个作品的意义。目前,在日益紧迫的气候紧急情况下,美国剧院的大部分物质世界正在传达的是一个关于环境退化、浪费和不平等的不幸故事。本文考察了设计和制作的模式,并认为为了向前发展,戏剧艺术家可以重塑他们在舞台上创造的意义,在设计选择中考虑可持续性和环境正义。我们认为,循环的、可再生的设计实践与明确的公共声明相结合,可以形成一个可持续发展的美国剧院的集体愿景。从最小的道具到最崇高的使命宣言,戏剧艺术家的每一个选择都有可能讲述一个不同的、更好的故事:一个关于环境正义、更新和可持续性的故事。
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In words and chairs: making meaning of sustainability, equity and circularity in American theatrical design and production
ABSTRACT Theatrical designers know that the objects they put onstage communicate ideas beyond and in addition to what can be read in the text and help to co-create the meaning of a piece. At present, what is being communicated by much of the material world of the American theatre is an unfortunate story of environmental degradation, waste and inequity in the context of an increasingly urgent climate emergency. This article examines patterns of design and production and argues that to move forward, theatre artists can reshape the meaning they create onstage to include considerations of sustainability and environmental justice in design choices. We argue that circular, regenerative design practices in conversation with clear public statements can forge a collective vision for sustainable American theatre. From the smallest prop to the loftiest mission statement, every choice theatre artists make has the potential to tell a different and better story: one of environmental justice, renewal and sustainability.
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来源期刊
Theatre and Performance Design
Theatre and Performance Design Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
14
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