{"title":"散文家崔斯特拉姆·珊迪","authors":"S. Black","doi":"10.1093/oso/9780198707868.003.0007","DOIUrl":null,"url":null,"abstract":"The genre of Laurence Sterne’s Life and Opinions of Tristram Shandy is a long-standing critical crux. Indeed, the work wears its complex generic mixtures on its sleeve even as it references the great borrowers from whom Sterne learned to borrow: Rabelais, Montaigne, Cervantes, Burton. This chapter focuses on Sterne’s use of Montaigne’s Essays as a model for a generic procedure that informs Sterne’s writing in its organization (or disorganization), its self-conscious gathering of texts, its free commentary, and its interactivity with both its contexts of citation and its readers. Tristram Shandy is a watershed text in which the full range of the essay tradition is revisited, adapted, used, and abused to form a conversational, bookish, self-conscious, and digressive work that is as much essay as novel.","PeriodicalId":41054,"journal":{"name":"RENASCENCE-ESSAYS ON VALUES IN LITERATURE","volume":"332 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tristram Shandy, Essayist\",\"authors\":\"S. Black\",\"doi\":\"10.1093/oso/9780198707868.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The genre of Laurence Sterne’s Life and Opinions of Tristram Shandy is a long-standing critical crux. Indeed, the work wears its complex generic mixtures on its sleeve even as it references the great borrowers from whom Sterne learned to borrow: Rabelais, Montaigne, Cervantes, Burton. This chapter focuses on Sterne’s use of Montaigne’s Essays as a model for a generic procedure that informs Sterne’s writing in its organization (or disorganization), its self-conscious gathering of texts, its free commentary, and its interactivity with both its contexts of citation and its readers. Tristram Shandy is a watershed text in which the full range of the essay tradition is revisited, adapted, used, and abused to form a conversational, bookish, self-conscious, and digressive work that is as much essay as novel.\",\"PeriodicalId\":41054,\"journal\":{\"name\":\"RENASCENCE-ESSAYS ON VALUES IN LITERATURE\",\"volume\":\"332 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-09-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RENASCENCE-ESSAYS ON VALUES IN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780198707868.003.0007\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RENASCENCE-ESSAYS ON VALUES IN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198707868.003.0007","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The genre of Laurence Sterne’s Life and Opinions of Tristram Shandy is a long-standing critical crux. Indeed, the work wears its complex generic mixtures on its sleeve even as it references the great borrowers from whom Sterne learned to borrow: Rabelais, Montaigne, Cervantes, Burton. This chapter focuses on Sterne’s use of Montaigne’s Essays as a model for a generic procedure that informs Sterne’s writing in its organization (or disorganization), its self-conscious gathering of texts, its free commentary, and its interactivity with both its contexts of citation and its readers. Tristram Shandy is a watershed text in which the full range of the essay tradition is revisited, adapted, used, and abused to form a conversational, bookish, self-conscious, and digressive work that is as much essay as novel.