伪形态作为一种跨文化互动形式:基于斯宾格勒的《西方的衰落》

I. Leonov
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引用次数: 0

摘要

本文致力于“伪形态”作为一种跨文化互动的形式,表现为一种文化的现象渗透到另一种文化的空间中,然后替换其内容并填写形式。斯宾格勒(O. Spengler)通过类比矿物学中的“假形态”(pseudomorphosis),引入了这个术语及其语义成分,并通过两个历史文化例子证明了这一点。本文试图发展斯宾格勒关于理解文化中假形态的本质的规定。对德国科学家给出的假形态的定义进行了分析和完善,并对其俄文翻译进行了修正。广义上,伪形态是指某种文化的现象渗透到另一种文化的过程和结果,然后用外来的内容填充宿主文化的空间,降低其独特性和原创性,直至完全丧失。除此之外,这一过程还包括对渗透文化现象的扭曲,这些现象在不同的环境中被折射,以至于它们不再符合产生它们的文化的性质。对历史文化现实研究中使用的自然过程类比的启发式意义问题进行了探讨。格尔德、歌德和丹尼列夫斯基的有机论支持了这一观点;许多研究人员的循环观点,在自然过程的循环水平上是合理的;跨文化互动研究中的“扩散主义”历史文化研究中的进化论文化及其动态的协同解释。从斯宾格勒在自然科学层面的类比出发,确定了文化中假形态的各种形式和尺度:“单一文化”和“多元文化”;“全部”和“部分”;“归属”、“替代”或“置换”的伪形态;“否定”和“聚合”。这种现象的历史文化例子是在希腊、罗马、欧洲和全球化对其他文化的影响的传播水平上给出的。此外,还提到了存在于不同环境中的扭曲文化现象的例子,这些现象本身经过折射,不再符合产生它们的文化的性质。在这种情况下,这个例子是埃及、中国和东方文化在西欧文化空间中的折射。除此之外,还有其他的例子。提出了在跨文化互动中独白、伪形态和对话的关系问题。
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Pseudomorphosis as a form of intercultural interaction: based on “The decline of the West” by O. Spengler
The article is devoted to “pseudomorphosis” as a form of intercultural interaction, expressed in the penetration of the phenomena of one culture into the space of another, followed by the replacement of its content and filling out the form. Introduced by O. Spengler, this term and its semantic component, by analogy with “pseudomorphosis” in mineralogy, were justified by the scientist on two historical-cultural examples. The text attempts to develop the provisions of Spengler in relation to the understanding of the nature of pseudomorphosis in culture. The definition of pseudomorphosis given by the German scientist is analyzed and refined, its translation into Russian is corrected. In a broad sense, pseudomorphosis is defined as the process and result of the penetration of the phenomena of some cultures into others, followed by filling the space of host cultures with foreign content and reducing their uniqueness and originality, until their complete loss. Besides that, this process includes the distortion of the phenomena of penetrating cultures, which, being in a different environment, are refracted so that they cease to correspond to the nature of the culture that gave rise to them. The question of heuristic significance of analogies with natural processes used in research of historical and cultural reality is considered. This aspect is supported by such examples as the organicism of Gerder, Goethe and N.Y. Danilevsky; cyclic views of many researchers, which are justified at the level of cycles underlying natural processes; “diffusionism” in the study of intercultural interactions; evolutionism in historical and cultural studies; synergetic interpretations of culture and its dynamics. Starting from the analogies of Spengler, fixed by him at the level of the natural science, the various forms and scales of pseudomorphosis in culture are identified: “monocultural” and “multicultural”; “full” and “partial”; pseudomorphs of “vesting”, “substitution” or “displacement”; “negative” and “aggregative”. Historical-cultural examples of this phenomenon are given at the level of the spread of Greek, Roman, European and globalization influence on other cultures. In addition, examples of distortion of cultural phenomena that exist in a different environment, themselves refracted so that no longer correspond to the nature of the culture that gave rise to them, are touched upon. In this case, the example is the refraction of the Egyptian, Chinese, and, in general, Eastern cultures in the Western European cultural space. Besides, there are other examples. The problem of the relationship of monologue, pseudomorphosis and dialogue in intercultural interactions is posed.
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