忘记殖民时代:欧洲的新城墙

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES Cultural Critique Pub Date : 2022-06-01 DOI:10.1353/cul.2022.0037
Jenny Stümer
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引用次数: 0

摘要

摘要:为应对2015年成千上万难民的到来,围墙和围栏在欧盟各地如雨后春春般涌现,这是对一个梦幻般的欧洲主权的建设(和防御),同时也揭示了一个在很大程度上未被承认的殖民历史,它仍在对现在施加压力。为了揭开这些动态,本文着眼于德国艺术集体政治美中心和摄影师Kai Wiedenhöfer的作品,他们将柏林墙的记忆与当代对移民的反应联系起来,并以此作为记忆屏幕,揭示当代边界的持久殖民性。通过让这些“被遗忘的关系”变得触手可及、可想象,这些艺术品打破了种族外在性的幻想,不由自主地投射出殖民遗产的持久性。
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Forgetting the Colonial Present: Europe's New Walls
Abstract:The walls and fences that have been sprouting up all over the EU in response to the arrival of thousands of refugees in 2015 materialize the construction (and defense) of a fantasmatic European sovereignty and, at the same time, uncover a largely unrecognized colonial past still exerting pressure on the present. Unpacking these dynamics, the article looks at the work of the German art collective Center for Political Beauty and photographer Kai Wiedenhöfer as they link the memory of the Berlin Wall to contemporary responses to migration and, in so doing, utilize the wall as a mnemonic screen, revealing the enduring coloniality of contemporary borders. By making these "forgotten relations" palpable and thinkable, the artworks disrupt a fantasy of racial exteriority, involuntarily projecting the persistence of colonial legacies.
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来源期刊
Cultural Critique
Cultural Critique Multiple-
CiteScore
0.50
自引率
0.00%
发文量
37
期刊介绍: Cultural Critique provides a forum for international and interdisciplinary explorations of intellectual controversies, trends, and issues in culture, theory, and politics. Emphasizing critique rather than criticism, the journal draws on the diverse and conflictual approaches of Marxism, feminism, psychoanalysis, semiotics, political economy, and hermeneutics to offer readings in society and its transformation.
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