书写上帝:《雅典娜赞美诗》卡利马库斯的形式与意义

R. Hunter
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引用次数: 44

摘要

本文旨在阐明卡利马库《第五赞美诗》的某些特点,以期对所有赞美诗的批评有所启发。我特别感兴趣的是探索如何合理地讨论卡利马库斯诗歌的神话和宗教维度,同时公正地对待诗歌所唤起的强烈的变化世界的感觉;为此,本文的结语部分简要考察了《得墨忒耳第六赞美诗》的有关方面。第一节简要地把赞美诗的第五和第六首放在卡利马科斯的赞美诗项目中作为一个整体,第二节考虑了赞美诗第五首的崇拜框架,第三节讨论了这首诗的挽歌韵律,第四节考虑了卡利马科斯对泰瑞西阿斯神话的处理,第五节试图把赞美诗的第五和第六首放在我们对希腊文化的整体研究中。
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Writing the God: Form and Meaning in Callimachus, Hymn to Athena
This paper aims to elucidate certain features of Callimachus' Fifth Hymn in ways, which, I hope, will be suggestive for the criticism of all the Hymns. In particular, I am interested in exploring how the mythic and religious dimensions of Callimachus' poetry can be sensibly discussed, while doing justice to the very strong sense of a changed world which the poems evoke; to this end the concluding section of the paper briefly examines related aspects of the Sixth Hymn to Demeter. Section 1 briefly places Hymns 5 and 6 within Callimachus' hymnal project as a whole1, Section 2 considers the cultic frame in which Hymn 5 is set, Section 3 discusses the elegiac metre of the poem, Section 4 considers Callimachus' treatment of the myth of Teiresias, and Section 5 seeks to set Hymns 5 and 6 within our study of Hellenistic culture as a whole.
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