É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud
{"title":"眼部绘画中的硬化散射与聚焦:光穿透黑暗","authors":"É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud","doi":"10.21494/iste.op.2022.0893","DOIUrl":null,"url":null,"abstract":". We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively (\"light through darkness\"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance (\"light through darkness\"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"36 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sclerotic scatter and focusing in eye painting: light through darkness\",\"authors\":\"É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud\",\"doi\":\"10.21494/iste.op.2022.0893\",\"DOIUrl\":null,\"url\":null,\"abstract\":\". We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively (\\\"light through darkness\\\"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance (\\\"light through darkness\\\"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.\",\"PeriodicalId\":80768,\"journal\":{\"name\":\"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe\",\"volume\":\"36 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21494/iste.op.2022.0893\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21494/iste.op.2022.0893","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Sclerotic scatter and focusing in eye painting: light through darkness
. We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively ("light through darkness"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance ("light through darkness"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.