{"title":"《市场中的布莱克》,2020年","authors":"R. Essick","doi":"10.47761/biq.280","DOIUrl":null,"url":null,"abstract":"The 2020 Blake market, like much of the world’s commercial activity, was hindered by the Covid-19 pandemic. None of his drawings or paintings came fresh to market, nor any illuminated books or leaves therefrom, nor any rare separate plates. “Holy Thursday” from Songs of Innocence copy W and Poetical Sketches copy E changed hands, but both had been on offer for at least two years and both sold before America and Europe began to shut down nonessential businesses. The two watercolors listed below under Drawings and Paintings, Cumea and Whilst Surfeited upon Thy Damask Cheek, had been available for purchase sporadically since 2002 and 2006 respectively.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blake in the Marketplace, 2020\",\"authors\":\"R. Essick\",\"doi\":\"10.47761/biq.280\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 2020 Blake market, like much of the world’s commercial activity, was hindered by the Covid-19 pandemic. None of his drawings or paintings came fresh to market, nor any illuminated books or leaves therefrom, nor any rare separate plates. “Holy Thursday” from Songs of Innocence copy W and Poetical Sketches copy E changed hands, but both had been on offer for at least two years and both sold before America and Europe began to shut down nonessential businesses. The two watercolors listed below under Drawings and Paintings, Cumea and Whilst Surfeited upon Thy Damask Cheek, had been available for purchase sporadically since 2002 and 2006 respectively.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"21 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.280\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.280","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The 2020 Blake market, like much of the world’s commercial activity, was hindered by the Covid-19 pandemic. None of his drawings or paintings came fresh to market, nor any illuminated books or leaves therefrom, nor any rare separate plates. “Holy Thursday” from Songs of Innocence copy W and Poetical Sketches copy E changed hands, but both had been on offer for at least two years and both sold before America and Europe began to shut down nonessential businesses. The two watercolors listed below under Drawings and Paintings, Cumea and Whilst Surfeited upon Thy Damask Cheek, had been available for purchase sporadically since 2002 and 2006 respectively.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.