俾路支文化的符号表征:符号学分析

Muhammad Athar Hussain, Muhammad Amjad, Kalsoom Bugti
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摘要

本文分析了俾路支省的马里和布格提部落的文化服饰和外观,以发现这些文物所附加的潜在意义。在此过程中,该研究使用了皮尔斯的符号学框架——一个标志性的视角。通过细读(符号学视角)对文化形象和表象进行分析。结果揭示了这些图像和表象背后的多重含义。这些发现反映了马里和布格提文化的丰富性和多样性,以及这些物品无形的代表性意义。这一研究有助于促进多元、和谐和提高跨文化意识,这是理解社会内部和社会之间文化多样性所必需的。更重要的是,未来的研究人员可以通过应用各种符号学框架来探索旁遮普语、信德语、普什图语、乌尔都语和萨拉基语的文化对象和外观。
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ICONIC REPRESENTATION OF BALOCH CULTURE: A SEMIOTIC ANALYSIS
The present paper analyzes cultural attires and appearances of Marri and Bugti tribes in Balochistan to find out latent meanings attached to these artifacts. In doing so, the study uses Peirce’s framework of semiotics- an iconic perspective. The analysis has been carried out with the help of close reading (Semiotic perspective) of the cultural images and appearances. The results reveal underlying multi-meanings attached to these images and appearances. The findings reflect the richness and diversity of Marri and Bugti cultures and the invisible representational meanings of these objects. This research endeavor may be helpful to promote pluralism, harmony and enhance intercultural awareness necessary for understanding cultural diversities within and across societies. More so, future researchers can explore cultural objects and appearances of Punjabi, Sindhi, Pashtuns, Urdu speaking, and Saraiki people by applying various frameworks of semiotics.
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