齐亚·海德尔·拉赫曼《我们所知的光》中的“对知识的追求”与后殖民百科全书的悖论

B. Bergholtz
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引用次数: 2

摘要

作者认为齐亚·海德尔·拉赫曼(Zia Haider Rahman)的《根据我们所知道的》(2014)是一部百科全书式的叙事,鼓励和质疑对知识的追求。拉赫曼通过创造围绕知识和叙事的欺骗性对话实现了这一壮举。他笔下人物对从美国对阿富汗的干预到Gödel的不完备性定理等一切事物的分析,说明了历史、隐喻和叙事(错误)的光辉如何塑造了对知识的追求,而我们自己的知识却受到历史和我们的孪生叙述者的隐喻的限制。对知识的追求和叙述的不足之间的冲突似乎注定了拉赫曼笔下人物和读者的百科全书式的知识,但小说使这一结论复杂化了。《在光明中》没有反驳或拥抱对知识的追求,而是培养了一种独特的后殖民式的百科全书方法,既好奇又谨慎,博学又谨慎,广博又反思。他所说的这种“后殖民百科全书”帮助我们认识到,百科全书式的叙事,这种长期以来与欧美文学巨擘联系在一起的类型,可能是二十一世纪后殖民和全球作家的一种潜在的赋权模式,尽管这种模式有些矛盾。
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The “Pursuit of Knowledge” and the Paradoxes of Postcolonial Encyclopedism in Zia Haider Rahman’s In the Light of What We Know
The author argues that Zia Haider Rahman’s In the Light of What We Know (2014) is an encyclopedic narrative that encourages and interrogates the pursuit of knowledge. Rahman achieves this feat by creating a deceptive dialogue revolving around knowledge and narrative. While his characters’ analysis of everything from America’s intervention in Afghanistan to Gödel’s incompleteness theorem illustrates the ways in which the light of history, metaphor, and narrative (mis) shape the pursuit of knowledge, our own knowledge is limited by the history and metaphors of our twin narrators. The conflict between the search for knowledge and the inadequacies of narrative would appear to doom the encyclopedism of Rahman’s characters and readers alike, but the novel complicates this conclusion. Rather than refuting or embracing the pursuit of knowledge, In the Light fosters a uniquely postcolonial approach to encyclopedism that is simultaneously curious and cautious, polymathic and prudent, wide-reaching and reflective. This “postcolonial encyclopedism,” as he calls it, helps us recognize that encyclopedic narrative, a genre long associated with the giants of European and American literature, may be a potentially empowering, if ambivalent, mode of inquiry for postcolonial and global authors in the twenty-first century.
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