荒诞的成长

IF 0.3 0 LITERARY THEORY & CRITICISM Samuel Beckett Today/Aujourd''hui Pub Date : 2022-04-25 DOI:10.1163/18757405-03401012
James Baxter
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引用次数: 0

摘要

本文探讨了贝克特的写作与美国男性主导的杂志文化之间的奇妙联系。在整个20世纪60年代,贝克特一直被《时尚先生》(Esquire)邀请为其撰写文章(广告中称其为“男士杂志”),其中包括一个不太可能的邀请,即报道1968年的民主党大会。到1969年,肯尼斯·泰南的《哦!加尔各答!(贝克特将为此献上开场小品)将在《花花公子》杂志十月号上占据显著位置。尽管贝克特的反应常常令人困惑,但这篇文章表明,贝克特对商业男性杂志的吸引力可能有助于将作者置于本世纪中叶围绕性自由和“时髦”男子气概的话语中。
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Growing Up Absurd
This article explores the curious interface between Beckett’s writing and the male-orientated magazine culture of the United States. Throughout the 1960s, Beckett would be solicited for articles by Esquire (advertised as ‘The Magazine for Men’) including an unlikely invitation to cover the 1968 Democratic Convention. By 1969, a write-up of Kenneth Tynan’s Oh! Calcutta! (for which Beckett would contribute the opening skit) would feature prominently in the October issue of Playboy magazine. Despite his often-perplexed reactions, this article suggests that the appeal of Beckett to commercial men’s magazines may help to situate the author within mid-century discourses around sexual freedom and ‘hip’ masculinity.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
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Beckett’s Prose Fiction and Waiting for Godot En attendant… l’innommable Reimagining Godot The Good-for-Nothing En attendant Godot (1952) de Samuel Beckett et Gerry (2002) de Gus Van Sant au prisme de Gilles Deleuze
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