把玛丽·安·沃特斯塑造成一个自由的黑人女性:作为书目方法的批判性捏造

IF 0.1 4区艺术学 N/A FILM, RADIO, TELEVISION FILM CRITICISM Pub Date : 2022-08-01 DOI:10.1353/crt.2022.a899737

Kadin Henningsen

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引用次数: 0

摘要

摘要:本文讨论了创作一本关于玛丽·安·沃特斯(Mary Ann Waters)的艺术家书籍的过程，她是一名黑人变性女性和性工作者，生活在战前的巴尔的摩。此外，根据作者制作艺术家书籍的经验，他提出了一种批判性编造的过程——将赛迪亚·哈特曼的“批判性编造”方法与娜塔莉·洛夫莱斯的“研究-创造”方法结合起来——作为一种批判性参考书目的方法。

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Making Mary Ann Waters is a Free Black Woman: Critical Fabrication as Bibliographic Method

Abstract:This article discusses the process of creating an artist's book on Mary Ann Waters, a Black trans woman and sex worker in Antebellum Baltimore. In addition, informed by the author's experience of making the artist's book, he proposes a process of critical fabrication—which brings together Saidiya Hartman's method of "critical fabulation" with Natalie Loveless's articulation of "research-creation"—as a method for critical bibliography.

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来源期刊

FILM CRITICISM FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

20 weeks

期刊介绍： Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.