Some-any:在当代合奏中近似个性化

A. Mackenzie
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引用次数: 1

摘要

本文通过比较社交媒体和其他数字平台上广泛使用的编号实践来定位个性化。它借鉴了A.N.怀特黑德(A.N. Whitehead)对近似的分析,以确定概率和哈希这两种关键的近似实践如何结合起来配置平台和个人用户。它展示了在典型的社交媒体设置中,即Instagram Explore Page,个性化如何在统计流形中分配个体差异,并以哈希等数字索引人、事、交易、时间和地点的事务状态。我认为,将个性化作为一种纠缠近似的实践,表明了社交媒体平台开发的关系映射如何溢出了定向广告的文化经济逻辑。我认为,概率和哈希的结合,或者统计流形和分布式协调实践的结合,阐明了嵌入社会生活许多方面的某种关系的新版本。作为近似值,这些数字指出了技术整体的新关键框架的可能性以及它们制约群体形成的能力。
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Some-any: approximating personalization in contemporary ensembles
ABSTRACT The paper situates personalization by comparing widely used numbering practices on social media and other digital platforms. It draws on A.N. Whitehead's analysis of approximation to identify how probabilities and hashes, two key approximating practices, combine to configure platforms and individual users. It shows how personalization in a typical social media setting, the Instagram Explore Page, both distributes individual differences in a statistical manifold and indexes a state of affairs of persons, things, transactions, times and places in numbers such as hashes. Approaching personalization as a practice of entangled approximations, I suggest, shows how relational mappings developed by social media platform overflow the cultural-economic logic of targetted advertising. I argue that the combination of probabilities and hashes, or statistical manifolds and distributed coordination practices, articulate new versions of the some-any relationships embedded in many facets of social life. As approximations, these numberings point to the possibility of new critical framings of technical ensembles and their capacity to condition the formation of groups.
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CiteScore
1.80
自引率
0.00%
发文量
18
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