{"title":"《市场中的布莱克》，2019年","authors":"R. Essick","doi":"10.47761/biq.256","DOIUrl":null,"url":null,"abstract":"The 2019 market began propitiously with the discovery, and offer for sale by the London dealer Peter Harrington, of a previously unrecorded copy of Edward Young’s Night Thoughts with Blake’s engravings hand colored. This January surprise was followed in the next month by the Art Institute of Chicago’s acquisition of Blake’s The Day of Judgment, a watercolor illustration to Robert Blair’s The Grave. Many copies of Blake’s Job engravings appeared throughout 2019 and one notable rarity among his commercial book illustrations, Elizabeth Blower’s Maria: A Novel, came to auction in December. A receipt written by Thomas Butts and signed by Blake fetched a high price at a Parisian auction.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"360 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blake in the Marketplace, 2019\",\"authors\":\"R. Essick\",\"doi\":\"10.47761/biq.256\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 2019 market began propitiously with the discovery, and offer for sale by the London dealer Peter Harrington, of a previously unrecorded copy of Edward Young’s Night Thoughts with Blake’s engravings hand colored. This January surprise was followed in the next month by the Art Institute of Chicago’s acquisition of Blake’s The Day of Judgment, a watercolor illustration to Robert Blair’s The Grave. Many copies of Blake’s Job engravings appeared throughout 2019 and one notable rarity among his commercial book illustrations, Elizabeth Blower’s Maria: A Novel, came to auction in December. A receipt written by Thomas Butts and signed by Blake fetched a high price at a Parisian auction.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"360 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.256\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.256","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The 2019 market began propitiously with the discovery, and offer for sale by the London dealer Peter Harrington, of a previously unrecorded copy of Edward Young’s Night Thoughts with Blake’s engravings hand colored. This January surprise was followed in the next month by the Art Institute of Chicago’s acquisition of Blake’s The Day of Judgment, a watercolor illustration to Robert Blair’s The Grave. Many copies of Blake’s Job engravings appeared throughout 2019 and one notable rarity among his commercial book illustrations, Elizabeth Blower’s Maria: A Novel, came to auction in December. A receipt written by Thomas Butts and signed by Blake fetched a high price at a Parisian auction.
期刊介绍：
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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