Arturo gutierrez Plaza的《隐士蟹》中的神话、愿景和过渡

M. Gomes
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摘要

本文关注的是阿图罗·古蒂萨梅雷斯·普拉扎的诗学,他的诗学作品《El cangrejo ermitaño》(2020)汇集了之前出版的文本和大量的新材料,表明作者放弃了最初的外部主义风格,这是20世纪80年代委内瑞拉诗人的特征。在他成熟的诗歌中,一方面,日常生活与神话之间的对话具有特殊的相关性;另一方面,处理指称性的各种修辞策略也是必不可少的,从最直接的轶事到元话语,高度实验性的作品。它与神话领域的频繁联系,以及通过文字与现实的极端联系,都产生了类似的结果,因为抒情的声音要么通过将其身份稀释到语言的集体领域,要么通过将自己置于神秘的原型之中,从而接近形而上学,从而变得超个人。
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Mito, visión y transtierro en El cangrejo ermitaño de Arturo Gutiérrez Plaza
: This article focuses on Arturo Gutiérrez Plaza’s poetics as manifested in El cangrejo ermitaño (2020), a gathering of both previously released texts and abundant new materials showing the author´s abandonment of his initial exteriorista style, char-acteristic of Venezuelan poets in the 1980s. In his mature poetry, on the one hand, a dialogue between daily life and myth has special relevance; on the other hand, diverse rhetorical strategies in dealing with referentiality are also essential, ranging from the most direct and anecdotical to meta-discursive, highly experimental pieces. Both its frequent connection to a mythical sphere and its extreme ways of relating to reality through words produce similar results, since the lyrical voice becomes transpersonal either by diluting its identity into the collective realm of language or by placing itself among numinous archetypes and therefore verging on the metaphysical.
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