{"title":"“对人类尊严的极大愤怒”:1890年在曼彻斯特音乐厅对猥亵和不雅行为的审判","authors":"David Huxley","doi":"10.1080/17460654.2022.2076356","DOIUrl":null,"url":null,"abstract":"ABSTRACT In Manchester in 1890 a court case was heard in which the singer Peggy Pryde was accused of singing an obscene song at the Folly Theatre of Varieties. The case provides a detailed examination of the arguments about the nature of music hall performance. Local newspapers reported the case in detail and this provides unparalleled evidence about the attitude of the authorities to specific performances, the nature of censorship and definitions of obscenity at this time.","PeriodicalId":42697,"journal":{"name":"Early Popular Visual Culture","volume":"18 1","pages":"21 - 33"},"PeriodicalIF":0.1000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 1890\",\"authors\":\"David Huxley\",\"doi\":\"10.1080/17460654.2022.2076356\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In Manchester in 1890 a court case was heard in which the singer Peggy Pryde was accused of singing an obscene song at the Folly Theatre of Varieties. The case provides a detailed examination of the arguments about the nature of music hall performance. Local newspapers reported the case in detail and this provides unparalleled evidence about the attitude of the authorities to specific performances, the nature of censorship and definitions of obscenity at this time.\",\"PeriodicalId\":42697,\"journal\":{\"name\":\"Early Popular Visual Culture\",\"volume\":\"18 1\",\"pages\":\"21 - 33\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Popular Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17460654.2022.2076356\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Popular Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17460654.2022.2076356","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 1890
ABSTRACT In Manchester in 1890 a court case was heard in which the singer Peggy Pryde was accused of singing an obscene song at the Folly Theatre of Varieties. The case provides a detailed examination of the arguments about the nature of music hall performance. Local newspapers reported the case in detail and this provides unparalleled evidence about the attitude of the authorities to specific performances, the nature of censorship and definitions of obscenity at this time.