关键的地域主义建筑方法:从卡拉奇的三个案例中吸取的教训

Suneela Ahmed
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摘要

批判地域主义作为一种理论,强调建筑形式与社会、物质性和气候反应的语境联系。在那些仍然是殖民地的国家,怀旧的解释和建筑形式的表现是至关重要的。围绕批判地域主义的理论,有时也被回避为仅仅是一种“风格”,缺乏与当地环境的进化和社会联系。虽然批判地域主义作为一种理论局限于一定规模和类型的建筑,但它在建筑形式之外的贡献却很少被研究。因此,本文的目的是评估卡拉奇三所大学的公共建筑的影响,这些建筑是围绕着批判性地域主义理论传播的概念设计的。这种分析是在全球化和本地化的更大辩论中进行的。重点关注的关键因素是对气候、社会、当地美学的发展、与记忆和身份的联系以及当地城市形态的反应。分析的另一个方面是通过回顾其他学科的理论,如地理学和人类学,目的是在研究方法和有利位置方面吸取教训,为批判性区域理论提供信息。案例研究方法,以及十次对架构师的定性访谈和焦点小组,已被用于生成数据。研究结果指出了这些建筑在气候、社会和审美反应方面的宝贵贡献,以及在其他建筑类型的可复制性方面的局限性,以及缺乏与更大的建筑进行批判性对话的建立
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Critical Regionalist Approach to Architecture: Lessons to be Learnt From Three Case Studies From Karachi
Critical Regionalism, as a theory, stresses on contextual connection of built form in terms of its link to society, physicality and climatic response. It is critical of nostalgic interpretation and representation of built form in countries which have remained colonies. The theory around Critical Regionalism, at times, is also shunned as merely a ‘style’, lacking evolution and social connect with the local context. Although Critical Regionalism as a theory is restricted to a certain scale and typology of buildings, its contribution beyond the built form itself is little researched. Thus, the objective of this paper is to evaluate the impact of public buildings, three universities, at Karachi which were designed around the concepts propagated by Critical Regionalist theory. This analysis is carried out within the larger debate of globalisation and localisation. The key factors focused are the response to climate, society, development of local aesthetics, connections with memory and identity and local urban morphology. Another aspect of analysis attempted through review of theories of other disciplines, geography and anthropology, is aimed towards drawing lessons in terms of research methods and vantage points which can inform Critical Regional theories. A case study methodology, along with ten qualitative interviews of architects and a focus group, has been used to generate data. The findings point towards the valuable contribution of these buildings in terms of climate, social and aesthetic response, and the limitations in terms of replicability to other building typologies and lack of establishment of a critical dialogue with larger
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