“秩序、便利与美”:圣费利佩法院的风格、空间与多重叙事

Pub Date : 2019-07-16 DOI:10.5749/BUILDLAND.26.1.0032
W. Granger
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引用次数: 1

摘要

摘要:圣费利佩庭院(San Felipe Courts, 1939-1942)是在新政进步主义的推动下,由卡尔·卡姆拉特(Karl Kamrath)设计的一个位于德克萨斯州休斯顿的低收入住房开发项目。这是一个以泽伦堡(Zeilenbau)超级街区为蓝本的现代建筑群,开发项目的目的是为休斯顿第四区(Houston’s Fourth Ward)的白人居民提供住房,该社区历史上是该市非裔美国人社区的所在地。圣费利佩法院的风格和空间化几乎没有考虑到当地社区的担忧,因为市政领导人和住房官员对城市施加了新的现代化愿景。这一愿景来自南方进步主义的政治背景,并通过20世纪20年代和30年代的各种城市复兴努力提供,需要在休斯顿内对种族进行美学和空间重新映射,以创建从郊区到市中心的精心策划的景观,将圣费利佩现代主义的正式语言与第四区现有的建筑环境相对立。通过使用圣费利佩法院作为案例研究,本文通过将对话置于当地背景中,支持和挑战关于美国公共住房功效的国家叙事。
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“Order, Convenience, and Beauty”: The Style, Space, and Multiple Narratives of San Felipe Courts
ABSTRACT:San Felipe Courts (1939–1942), a low-income housing development designed by Karl Kamrath in Houston, Texas, was built under the impetus of New Deal progressivism. A modern complex modeled on the Zeilenbau superblock, the development was intended to house white residents in Houston’s Fourth Ward, a neighborhood historically home to the city’s African American community. The style and spatialization of San Felipe Courts paid little heed to the concerns of the local community, as municipal leaders and housing officials imposed a new vision of modernity on the city. This vision, drawn from the political context of Southern progressivism and purveyed through various urban revitalization efforts of the 1920s and 1930s, entailed an aesthetic and spatial remapping of race within Houston to create a curated landscape from suburb to downtown, setting the formal language of San Felipe’s modernism in opposition to the extant built environment of the Fourth Ward. By using San Felipe Courts as a case study, this paper both supports and challenges national narratives regarding the efficacy of American public housing by situating this conversation in its local context.
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