基尔帕利克(Kir palykh)是卡卡斯(19世纪末至20世纪中期)宗教和神话中的水怪和萨满精神。

V. A. Burnakov
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引用次数: 0

摘要

本研究的目的是表征卡卡人的世界观和仪式中神职人员的形象。为了实现这一目标,解决了以下任务:1)对“Kir Palykh”一词进行词源分析;2)确定这种存在在哈卡斯人的神圣实践中的意义和作用。研究的来源基础包括民俗学和民族志材料。民间传说作品是用哈卡斯语出版的史诗和神话。其中一些节选首先由作者翻译成俄文。作品的时间框架涵盖十九世纪末至二十世纪中叶,这是由研究课题的来源状态和可能性决定的。主导研究的是历史决定论原则,当考虑任何文化现象的发展和具体情况时。研究方法是基于历史和民族志方法-遗迹和语义分析。通过分析,可以得出以下结论:1)在喀喀族的传统世界观和民间传说中,神话人物基尔帕利克占有重要地位;2)通过对kir palykh名字的词源分析和对其形象的直接研究,可以得出结论,在宗教和神话意识中,kir palykh被赋予了鱼形形象。她的特点是:a)体型巨大的巨鱼,通常被认为是鲸鱼;B)身体的颜色被指定为“海湾”;C)以“古鱼”的形式描述,与第一次创造的神话时代出现的某种实体相关;3)在卡卡斯人和萨扬-阿尔泰地区的其他突厥民族的传统观念中,kir palyh通常与具有兽形特征的神奇生物keryutpa相一致,并与龙蛇相一致。这些生物的单一民族性质、共同的栖息地和相似的仪式功能促成了鱼和蛇形象的融合;4)在khakas的宗教和神话表现中,kir palykh是水的主人sugezi精神的化身。指定的神灵在人们的传统仪式中发挥着最重要的作用之一;5)水王与萨满的奥秘直接相关,包括在成为萨满巫师的过程中起着关键作用。基尔·帕利克自己就是最强大的托斯之一——萨满的精神助手。她的形象体现在他们的仪式用具上——手鼓和服装;她被包括在与自制烈酒主顾有关的观点范围内。她的神秘力量在传统医学中得到了应用。
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Kir palykh is a water monster and a shaman spirit in the religious and mythological representations of the khakas (late XIX - mid XX century)
He purpose of the study is to characterize the image of the clergy in the worldview and rituals of the Khakas. In order to achieve this goal, the following tasks were solved: 1) to conduct an etymological analysis of the term “Kir Palykh”; 2) to identify the significance and role of this being in the sacred practice of the Khakass people. The source base of the research includes folklore and ethnographic materials. Folklore works are epics and myths published in the Khakass language. The excerpts of some of them were first translated into Russian by the author. The chronological framework of the work covers the end of the XIX - middle of the XX centuries, which is determined by the state and possibilities of the source base on the research topic. Leading the study is the principle of historicism, when any cultural phenomenon is considered in the development and taking into account the specific situation. The research methodology is based on historical and ethnographic methods - relic and semantic analysis. As a result of the analysis, the following conclusions can be drawn: 1) in the traditional worldview and folklore of the Khakas, an important place was given to the mythical being kir palykh; 2) an analysis of the etymology of the name and a direct study of its image leads to the conclusion that in the religious and mythological consciousness, kir palykh is endowed with an ichthyomorphic image. She was characterized: a) as a monstrous fish of gigantic size and often identified with a whale; b) the color of the body was designated as “the bay”; c) described in the form of “old / ancient fish”, correlated with a certain entity that appeared in the mythical era of the first creation; 3) in the traditional notions of the Khakas and other Turkic peoples of the Sayan-Altai, kir palyh are often identified with the ker yutpa, a fantastic creature with zoomorphic features, and identified with a dragon serpent. The single chthonic nature of these creatures, the common habitat and similar ritual functions contributed to the syncretization of the image of fish and snake; 4) in the religious and mythological representations of the khakas, kir palykh acted as the embodiment of the spirit of the master of water - sug ezi. The designated deity performed one of the most important functions in the traditional ritual of the people; 5) The water lord was directly associated with the shamanic mysteries, including playing a key role in the process of initiation into shamans. Kir palykh herself was one of the strongest tos'es - the spirit helpers of the shaman. Her image was captured in their ritual paraphernalia - tambourines and costume; 6) she was included in the range of views associated with homemade spirits patrons. Her mystical power found its application in traditional medicine.
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