艾格尼丝·尼克松(肥皂剧制作人)

IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2020-10-01 DOI:10.1080/01956051.2020.1833168
{"title":"艾格尼丝·尼克松(肥皂剧制作人)","authors":"","doi":"10.1080/01956051.2020.1833168","DOIUrl":null,"url":null,"abstract":"Agnes Nixon (1927–2016) started her career in radio soap operas under the tutelage of Irna Philllps, the “Queen of Soaps.” Nixon honed her craft in the early days of television, writing for Phillips’s The Guiding Light and Another World, and co-creating As the World Turns before eventually creating her own soap operas, One Life to Live, All My Children, and Loving. She gained a reputation for incorporating social issues and topical material into her programs, operating under the idea that you could both educate and entertain an audience at the same time. Connie Passalacqua conducted the interview on October 21, 1997, in New York City, New York.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"128 1","pages":"201 - 206"},"PeriodicalIF":0.5000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Agnes Nixon (Soap Opera Creator)\",\"authors\":\"\",\"doi\":\"10.1080/01956051.2020.1833168\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Agnes Nixon (1927–2016) started her career in radio soap operas under the tutelage of Irna Philllps, the “Queen of Soaps.” Nixon honed her craft in the early days of television, writing for Phillips’s The Guiding Light and Another World, and co-creating As the World Turns before eventually creating her own soap operas, One Life to Live, All My Children, and Loving. She gained a reputation for incorporating social issues and topical material into her programs, operating under the idea that you could both educate and entertain an audience at the same time. Connie Passalacqua conducted the interview on October 21, 1997, in New York City, New York.\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"128 1\",\"pages\":\"201 - 206\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2020-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2020.1833168\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2020.1833168","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

艾格尼丝·尼克松(1927-2016)在“肥皂剧女王”伊娜·菲利普斯的指导下开始了她的广播肥皂剧生涯。尼克松在早期的电视节目中磨练了自己的技艺,为菲利普斯的《指路明灯》和《另一个世界》撰稿,并参与创作了《世界在转动》,最后创作了自己的肥皂剧《一个人生》、《我所有的孩子》和《爱》。她以将社会问题和时事材料融入节目而闻名,她的理念是既能教育观众,又能娱乐观众。Connie Passalacqua于1997年10月21日在纽约进行了这次采访。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Agnes Nixon (Soap Opera Creator)
Agnes Nixon (1927–2016) started her career in radio soap operas under the tutelage of Irna Philllps, the “Queen of Soaps.” Nixon honed her craft in the early days of television, writing for Phillips’s The Guiding Light and Another World, and co-creating As the World Turns before eventually creating her own soap operas, One Life to Live, All My Children, and Loving. She gained a reputation for incorporating social issues and topical material into her programs, operating under the idea that you could both educate and entertain an audience at the same time. Connie Passalacqua conducted the interview on October 21, 1997, in New York City, New York.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
JOURNAL OF POPULAR FILM AND TELEVISION
JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊介绍: How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.
期刊最新文献
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism Watching Game of Thrones: How Audiences Engage with Dark Television “She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976) Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.” ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1