萧伯纳咏叹调与精湛技艺:帕特里克·梅森论导演萧伯纳

IF 0.6 4区 文学 0 LITERATURE, BRITISH ISLES Shaw-The Journal of Bernard Shaw Studies Pub Date : 2021-01-08 DOI:10.5325/shaw.40.2.0247
B. Houlihan
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引用次数: 0

摘要

本文采访了获奖导演、都柏林艾比剧院前艺术总监帕特里克·梅森,详细讨论了他在爱尔兰执导萧伯纳作品的经历。梅森提供了他从1972年第一次担任莱利亚·杜兰导演的《修道院的圣女贞德》的配音教练到后来的导演生涯的见解。梅森讨论了在20世纪80年代在门剧院指导肖伯纳以及一系列其他盎格鲁-爱尔兰戏剧;在艾比剧院指导肖伯纳,包括1998年由简·布伦南主演的《圣女贞德》;萧伯纳今天在爱尔兰和国家戏剧中的地位;萧伯纳和他的戏剧如何迎合当代观众;以及萧伯纳对今天戏剧界的更广泛的影响。
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Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw
abstract:This interview with award-winning director and former artistic director of the Abbey Theatre, Dublin, Patrick Mason, features a detailed discussion with Mason, regarding his experiences in directing works by Bernard Shaw in Ireland. Mason offers insights from when he first worked as a voice coach on the production of Saint Joan at the Abbey in 1972, directed by Lelia Doolan, and on his later career as a director. Mason discusses directing Shaw at the Gate Theatre along with a series of other Anglo-Irish plays during the 1980s; directing Shaw at the Abbey Theatre including his 1998 production of Saint Joan that starred Jane Brennan; how Shaw is situated today within the canon of Irish and national drama; how Shaw and his plays meet contemporary audiences; and the wider legacy(ies) of Shaw to the theater today.
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发文量
34
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INTERNATIONAL SHAW SOCIETY Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals) Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”) "Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton Operatic Adaptations of Shaw's Plays The Devil's Disciple and The Music Cure
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