亨利·詹姆斯和詹姆斯二世党

Q4 Arts and Humanities AMERICAN SCHOLAR Pub Date : 1962-01-01 DOI:10.2307/364041
M. Geismar
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引用次数: 60

摘要

在二十世纪二十年代,他有一个虽小但确实显赫的地位。比如,斯科特·菲茨杰拉德(Scott Fitzgerald)就曾读过他的作品;他的初版被世故人士收藏。在这个社会关注和激进信仰,希望受挫和事业扭曲,幻想破灭的年代,是的,但活力和兴奋太过,可怜的詹姆斯又回到了他熟悉的默默无闻的角落。直到40年代中期,在第二次世界大战(也许也是最后一次)结束后的几十年里,詹姆斯才被“发现”,再被发现,再被发现,直到他在我们这个时代的每一年都变得越来越重要。难道他现在不是整个文学,学术和批判基础的源泉吗?就像他在《考克森基金》(The Coxon Fund)中扮演的恶棍哲学家一样,奇怪的讽刺意味是,詹姆斯已经成为了一个机构。今天,他不仅被认为是世界文学的重要人物,而且与梅尔维尔一样,被认为是美国最伟大的艺术家,有时被认为是当代唯一的美国作家。
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Henry James and the Jacobites
In the 1920's he had a small but definite position of prominence. He was read by Scott Fitzgerald, for example, among other writers of the period; his first editions were collected by the sophisticated. In the thirties age of social concern and radical belief, of thwarted hopes and twisted careers, of disenchantment, yes, but of vitality and excitement too poor James was put back in his familiar corner of obscurity. It was only in the midforties, in the decades following the Second (and perhaps Last) World War, that James was "discovered," and rediscovered, and discovered again, until he took on, with each passing year of our period, a greater and greater importance. Isn't he now the source of a whole literary, academic and critical foundation an industry? Like his own scoundrelly philosopher of "The Coxon Fund" strange irony James has become an institution. He is considered today not only a major figure in world literature but, with Melville, as a supreme American artist sometimes as the only American writer of modern times.
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来源期刊
AMERICAN SCHOLAR
AMERICAN SCHOLAR HUMANITIES, MULTIDISCIPLINARY-
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