从舞台到银幕

T. Carter
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引用次数: 14

摘要

俄克拉何马州!在百老汇取得了惊人的成功,尽管戏剧协会考虑过其他可能的创作团队来创作新音乐剧,但事实证明,罗杰斯和汉默斯坦的合作难以抗拒。1943年夏末,一个巡回剧团成立了。第二次世界大战结束后,他在国际上旅行(尤其是在1947年去了伦敦西区);与此同时,工会需要替换离开这部剧的演员。1953年,罗杰斯和汉默斯坦买下了他们在协会赞助下完成的所有三场演出的版权(包括旋转木马和快板)。在某种程度上,这是为了最大化他们从预定的电影版本中获得的利润。1955年的电影《俄克拉荷马!》利用新的Todd-AO宽屏工艺和外景拍摄,制作了一场生动的演出,然而,在随后的舞台版本中,也需要效仿或抵制。
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From Stage to Screen
Oklahoma! was a surprising success on Broadway, and although the Theatre Guild considered other possible creative teams for new musicals, the now-sealed Rodgers and Hammerstein partnership proved hard to resist. A touring company was in place by late summer 1943, and Oklahoma! traveled internationally after the end of World War II (not least, to London’s West End in 1947); meanwhile, the Guild needed to replace cast members leaving one or other productions of the show. In 1953, Rodgers and Hammerstein bought the Guild’s rights to all three of the shows they had done under its auspices (including Carousel and Allegro). In part, this was to maximize their profits from intended film versions. The 1955 film of Oklahoma! took advantage of the new Todd-AO wide-screen process and location shooting to produce a vivid rendition of the show that, however, also needed to be followed, or resisted, in subsequent stage versions.
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