“去他的艺术,让我们跳舞”:克里斯·莫顿的采访

Q1 Arts and Humanities Punk and Post-Punk Pub Date : 2023-09-02 DOI:10.1386/punk_00208_7
Russell Bestley
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引用次数: 0

摘要

克里斯·莫顿(Chris Morton)出生于新加坡,小时候随家人移居英国,并于20世纪60年代初定居在英国东北部。他对漫画和动画的热爱反映了他对绘画的热情和天赋,后来他对音乐的兴趣使他进入了与嬉皮反主流文化有关的地下杂志和海报。1975年初,他不得不离开艺术学院,在正确的时间和地点,他发现自己在正确的地方,并委托创建一个图形标识为一个新的独立唱片公司总部设在伦敦-僵硬的记录。他仍然在纽卡斯尔经营着一家设计工作室,他与拉斯·贝斯特利(Russ Bestley)讨论朋克、新浪潮、排版、印刷技术、幽默、模仿和平面设计。
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‘Fuck Art, Let’s Dance’: An interview with Chris Morton
Born in Singapore, Chris Morton moved with his family to England as a young child, settling in the north-east in the early 1960s. His passion and talent for drawing was reflected in his love of comics and animation, later with a combined interest in music leading him to underground magazines and posters associated with the hippie counterculture. After having to leave art college early in 1975, he found himself in the right place at the right time and was commissioned to create a graphic identity for a new independent record label based in London – Stiff Records. Still running a design studio in Newcastle, he discusses punk, new wave, typography, print technologies, humour, parody and graphic design with Russ Bestley.
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来源期刊
Punk and Post-Punk
Punk and Post-Punk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
35
期刊最新文献
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