{"title":"艺术中的图灵算法","authors":"Arnold Cusmariu","doi":"10.5840/symposion20231012","DOIUrl":null,"url":null,"abstract":"Exemplifying with sculptures the author created, the article shows that ontological algorithms can yield aesthetic content, while epistemological algorithms can capture it. Bridging the gap between art and logic creates new and exciting aesthetic opportunities, allaying Henry Moore’s fears of ‘paralysis by analysis.’ On the flip side, appreciating all that algorithmic art has to offer poses intellectual challenges that run counter to subjectivist approaches to art and its education.","PeriodicalId":37705,"journal":{"name":"Symposion","volume":"15 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Turing Algorithms in Art\",\"authors\":\"Arnold Cusmariu\",\"doi\":\"10.5840/symposion20231012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Exemplifying with sculptures the author created, the article shows that ontological algorithms can yield aesthetic content, while epistemological algorithms can capture it. Bridging the gap between art and logic creates new and exciting aesthetic opportunities, allaying Henry Moore’s fears of ‘paralysis by analysis.’ On the flip side, appreciating all that algorithmic art has to offer poses intellectual challenges that run counter to subjectivist approaches to art and its education.\",\"PeriodicalId\":37705,\"journal\":{\"name\":\"Symposion\",\"volume\":\"15 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Symposion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5840/symposion20231012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Symposion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/symposion20231012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Exemplifying with sculptures the author created, the article shows that ontological algorithms can yield aesthetic content, while epistemological algorithms can capture it. Bridging the gap between art and logic creates new and exciting aesthetic opportunities, allaying Henry Moore’s fears of ‘paralysis by analysis.’ On the flip side, appreciating all that algorithmic art has to offer poses intellectual challenges that run counter to subjectivist approaches to art and its education.
期刊介绍：
Symposion was published for the first time in 2003, as Symposion – Revistă de științe socio-umane (Symposion – A Journal of Humanities), with the purpose of providing a supportive space for academic communication, dialogue, and debate, both intra and interdisciplinary, for philosophical humanities and social and political sciences. Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences shares essentially the same purpose. Its main aim is to promote and provide open access to peer-reviewed, high quality contributions (articles, discussion notes, review essays or book reviews) in philosophy, other humanities, and social and political sciences connected with philosophy.
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