{"title":"古西班牙圣歌的音阶","authors":"Elsa De Luca","doi":"10.1080/17459737.2022.2105411","DOIUrl":null,"url":null,"abstract":"Lisboa, Biblioteca Nacional, Alcobaça 446, fols. 32v-33r (reproduced with permission) Etymologiae is one of the most popular works of the Middle Ages. It represents Isidore of Seville’s encyclopaedic effort to collect information from all branches of knowledge by analysing the principal terms employed. Etymologiae was copied all over Europe and more than 1000 copies of the manuscripts survive. In a small group of manuscripts from the Iberian Peninsula, diagrams have been interpolated, possibly in the eight century. The diagrams, which have only been added to these Iberian copies, are in Book III, between De Geometria and De","PeriodicalId":50138,"journal":{"name":"Journal of Mathematics and Music","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2022-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The scale of the Old Hispanic chant\",\"authors\":\"Elsa De Luca\",\"doi\":\"10.1080/17459737.2022.2105411\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Lisboa, Biblioteca Nacional, Alcobaça 446, fols. 32v-33r (reproduced with permission) Etymologiae is one of the most popular works of the Middle Ages. It represents Isidore of Seville’s encyclopaedic effort to collect information from all branches of knowledge by analysing the principal terms employed. Etymologiae was copied all over Europe and more than 1000 copies of the manuscripts survive. In a small group of manuscripts from the Iberian Peninsula, diagrams have been interpolated, possibly in the eight century. The diagrams, which have only been added to these Iberian copies, are in Book III, between De Geometria and De\",\"PeriodicalId\":50138,\"journal\":{\"name\":\"Journal of Mathematics and Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-08-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mathematics and Music\",\"FirstCategoryId\":\"100\",\"ListUrlMain\":\"https://doi.org/10.1080/17459737.2022.2105411\",\"RegionNum\":2,\"RegionCategory\":\"数学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and Music","FirstCategoryId":"100","ListUrlMain":"https://doi.org/10.1080/17459737.2022.2105411","RegionNum":2,"RegionCategory":"数学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Lisboa, Biblioteca Nacional, Alcobaça 446, fols. 32v-33r (reproduced with permission) Etymologiae is one of the most popular works of the Middle Ages. It represents Isidore of Seville’s encyclopaedic effort to collect information from all branches of knowledge by analysing the principal terms employed. Etymologiae was copied all over Europe and more than 1000 copies of the manuscripts survive. In a small group of manuscripts from the Iberian Peninsula, diagrams have been interpolated, possibly in the eight century. The diagrams, which have only been added to these Iberian copies, are in Book III, between De Geometria and De
期刊介绍：
Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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