{"title":"Fortunato de Selgas和San julian de los Prados。20世纪初西班牙纪念碑修复辩论的综合","authors":"María Pilar García Cuetos","doi":"10.3989/AEARTE.2021.03","DOIUrl":null,"url":null,"abstract":"The restoration by Fortunato de Selgas in San Julian de los Prados summarises the debate about heritage restoration in Spain at the beginning of the 20th century. It integrates a combination of elements from restoration in style limited by archaeological rationalism, the progress of Italian historical and Boitian theories, and the influence of Ruinist aesthetics together with the so-called archaeological sincerity. Several unpublished photographs dated in 1932 return the lost image of the church after the intervention and allow us to know one of the most interesting examples of Spanish restoration at the beginning of the 20th century, unfortunately altered by following interventions.","PeriodicalId":44318,"journal":{"name":"ARCHIVO ESPANOL DE ARTE","volume":"53 1","pages":"33-50"},"PeriodicalIF":0.1000,"publicationDate":"2021-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fortunato de Selgas y San Julián de los Prados. La síntesis del debate de la restauración monumental en España a principios del siglo XX\",\"authors\":\"María Pilar García Cuetos\",\"doi\":\"10.3989/AEARTE.2021.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The restoration by Fortunato de Selgas in San Julian de los Prados summarises the debate about heritage restoration in Spain at the beginning of the 20th century. It integrates a combination of elements from restoration in style limited by archaeological rationalism, the progress of Italian historical and Boitian theories, and the influence of Ruinist aesthetics together with the so-called archaeological sincerity. Several unpublished photographs dated in 1932 return the lost image of the church after the intervention and allow us to know one of the most interesting examples of Spanish restoration at the beginning of the 20th century, unfortunately altered by following interventions.\",\"PeriodicalId\":44318,\"journal\":{\"name\":\"ARCHIVO ESPANOL DE ARTE\",\"volume\":\"53 1\",\"pages\":\"33-50\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-02-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVO ESPANOL DE ARTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/AEARTE.2021.03\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVO ESPANOL DE ARTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AEARTE.2021.03","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
Fortunato de Selgas在San Julian de los Prados的修复总结了20世纪初西班牙关于遗产修复的争论。它融合了考古理性主义限制下的风格修复、意大利历史理论和博伊蒂亚理论的进步、废墟主义美学的影响等元素,以及所谓的考古真诚。1932年的几张未发表的照片重现了干预后教堂丢失的形象,让我们了解了20世纪初西班牙修复中最有趣的例子之一,不幸的是,后来的干预改变了它。
Fortunato de Selgas y San Julián de los Prados. La síntesis del debate de la restauración monumental en España a principios del siglo XX
The restoration by Fortunato de Selgas in San Julian de los Prados summarises the debate about heritage restoration in Spain at the beginning of the 20th century. It integrates a combination of elements from restoration in style limited by archaeological rationalism, the progress of Italian historical and Boitian theories, and the influence of Ruinist aesthetics together with the so-called archaeological sincerity. Several unpublished photographs dated in 1932 return the lost image of the church after the intervention and allow us to know one of the most interesting examples of Spanish restoration at the beginning of the 20th century, unfortunately altered by following interventions.
期刊介绍:
Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.