弗朗西斯·培根的一课迫使我跳出软件盒子

Nelson J. Diaz
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摘要

电脑在80年代早期变得更加标准,科学和技术影响着像我这样的艺术家。我开始使用一台超级计算机和FORTRAN 77软件来定义一个非欧几里得几何模型,使用保角映射来创建艺术。一系列扭曲和弯曲的空间图像体现和反映了爱因斯坦的广义相对论和狭义相对论。正是我与“氢弹之父”爱德华·泰勒博士的邂逅,让我对艺术家弗朗西斯·培根产生了兴趣。这是一个与艺术家的私人课程,迫使我走出盒子,进入我自己的视觉世界。
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A Lesson with Francis Bacon Forced Me to See Out of the Software Box
Computers became more standard in the early 80s and science and technology were influencing artists like myself. I began using a supercomputer and FORTRAN 77 software in order to define a non-Euclidean geometry model using conformal mapping to create art. A series of twisted and curved space images was manifested and reflective to Einstein’s general and special relativity. It was my encounter with Dr. Edward Teller, “the father of the H-bomb,” that let me to artist Francis Bacon. It was a private lesson with the artist that forced me out of the box into my own visual world.
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